PALMERSTON PICTURE PROGRAMMES

Manawatu Times, Volume LV, Issue 6840, 22 April 1932, Page 3

PALMERSTON PICTURE PROGRAMMES

KOSY THEATRE I-lENEY EDWARDS IN "THE CALL OF THE SEA” Two* of tho most popular British movie stars, Miss Clirissio Wliito and Mr. Henry Edwards, who have been airsent from the screen for some time, make their talkie debut in B.D.F.’s naval romance, "The Call of the Son, screening at the Ivosy to-morrow. Miss Whito (Mrs. Edwards in private life! makes a charming heroine, and her rich, cultured voieo records perfectly. Edwards, whose film parts were always notable for light-hcartcdness, is now able to crack many little quips, which add greatly to his attractions ns a film hero. In “The Call of the Sea” lie plays the part of a daredevil young naval officer who foils the plans of a scheming half-caste deputy-governor in a South American port. At the same time he falls in love with the beautiful English wife of the governor, and marries her after the villain is killed. Mr. Bernard Ncdcll, as the deputy-governor, adds another excellent, study to his gallery of successes. The film was directed at the Twickenham studios by Mr. Leslie Hiscott, tho young Englishman who so successfully made “The House ol the Arrow” and “At the Villa Rose.” “The Call of the Sea” is light melodrama and is full of popular appeal.

What Makes Him Laugh What amuses a great comedian? Ricardo Cortez, Mac Clarke, Norman Foster and the others of the cast of Universal’s “Reckless Livkig,” at the Kosy finally to-day, decided to And out during the filming of the picture at Universal City. Slim Summerville, who also appears in the picture, was singled out to furnish the information, and from personal preference ho listed tho following laughs of the laugh-makers: “To sec a man stumble over a curb and then turn around to kick it. To watch an und'er-the-weather gentleman try to find tho sleeves of his overcoat. To see a director go into a fit of rage over something lie unknowingly did himself. To sleep soundly on the back of the sot while the rest of tho cast goes into ‘take 23 and 24’ of a particularly difficult scene.” Cyril Gardner, director of “Reckless Living," only scowled his appreciation.

PALACE THEATRE - OPERA WITH A DIFFERENCE Film-goers who sec “Gipsy Blood,” n cinematic treatment of.“ Carmen,” showing at the Palace theatre to-morrow, will be ablo to enjoy onco more that which has been so sadly missed since tho coming of talkies—the introduction of musie as a background, and the beau

tiful melodies of Bizet, form an accompaniment which' adds to tho dramatic tenseness of the action. Lovers of grand opera will find that the cinematic action of the film in no way detracts from its operatic perfection, while filmgoers who prefer a thrilling drama of murder and romance liavo in “Gipsy Blood” as exciting a pictuo as they could wish for. Marguerite Namara, tho famous prima donna, is an attractive Garmon who acts with distinction opposite Tom Burke, Britain’s most renowned tenor, who gives a dramatic performance as Don Jose. Tho New Symphony Orchestra, personally conducted by Dr. Malcolm Sargent, provides tho perfect musical accompaniment, and altogether this production, directed by Cecil Lewis for 8.1. P., is a feast for the eyes and ears, definitely providing something new in the way ot entertainment.

AT THE REGENT EXTENDED SEASON FOR “STRANGERS MAY KISS.” The Regent management announce an extended season for Norma Shearer’s latest success “Strangers May Kiss.” There will, however, be no screenings on Monday—Anzac Day. Filmed from the Ursula Parrott novel, the picture paints a sweeping and racy canvas of the turbulent emotions experienced by this gorgeous creature. Never before has Miss Shearer appeared to better advantage, and her characterisation of the heroine easily ranks with her work in “The Divorcee,” also written by Miss Parrott. In this new Metro-Gold-wyn-Maycr picture brittle and pointed dialogue plays a paramount part, although the action is swift and dramatic. It. never becomes stilted, as is so often tho case in a talking picture based upon sparkling dialogue. The scenes aro lavishly presented under Ihc masterful direction of George Fitzmauriec. Robert Montgomery is again co-starred with Norma Shearer, and offers a iiriceless performance, reminiscent of his role in “Tho Divorcee,” but considerably laden with dramatic and sympathetic appeal. Neil Hamilton, as the man with whom Lisbcth elopes in so unconventional a manner, is fittingly romantic. “Strangers May Kiss” is supported by “Beau Hunks,” a Stan Laurel and Oliver Hardy comedy considered by all to be the greatest comedy on the screen to-day, and which should not be missed by patrons who enjoy a good laugh, and then more laughs.