Thank you for correcting the text in this article. Your corrections improve Papers Past searches for everyone. See the latest corrections.

This article contains searchable text which was automatically generated and may contain errors. Join the community and correct any errors you spot to help us improve Papers Past.

Article image
Article image
Article image
Article image

OTAGO INSTITUTE

LECTURE ON CELTIC ART. A meeting of ' the Analogical branch of the Otago Institute was held . It the Museum last night, the Rev. : £)r- Dickie (president ot the branch) . occupying the chair. The lecturer for the evening was Mr R; Bonn, who spoke on “Celtic Art.” • He stated that Celtic art showed a steady progression. Very commonly, . ,-when he asked pupils to make a simple - design, he was able to tell them that . their arrangement of lines and dots .■-..was a pattern about 4,000 years old. No race had altogether built its own system of art, but the influence of the ideas of other peoples could be 'definitely traced at different periods in the development of the system. The earliest historic reference to the art of the Celts w'as about the sixth century b.Om when they occupied a great part of Europe. Great cemeteries had been found wdiich threw great light on the early life of the Celts. The >arliest decorations of the brdnze age - were of the geometric type, and many of these he illustrated bn the blackboard. At all times- the work, though sometimes crude, showed/a remarkable taste and sense of proportion. The chief bronze age feature was the closewound spiral. He believed that all patterns were evolved by craft alone, the craftsman, seeking to work his idea Into his material. The. preference. for diagonals rather than straight linos wae.a characteristic of Celtic art. The Celt had a strong sense of the beauty of flowing lines and of the value of spaces. Until recent times no living thing “was used as the basis of his design. The Celt could use true enamel, which he must have learned from Egypt. From observations he had made he was inclined to the view that the Maoris got their decoration in the bronze age. He proceeded to trace the development of Celtic art in its early Christian period. One of the strange features of Celtic art was its crude' representation of the human figure alongside beautiful representations of such animals as deer and salmon. He concluded by telling something of the strange crude dwellings of the early dwellers in Scotland. A hearty vote of thanks was passed to Mr Donn for his very interesting address.

Permanent link to this item

https://paperspast.natlib.govt.nz/newspapers/ESD19220816.2.21

Bibliographic details

Evening Star, Issue 18048, 16 August 1922, Page 4

Word Count
375

OTAGO INSTITUTE Evening Star, Issue 18048, 16 August 1922, Page 4

OTAGO INSTITUTE Evening Star, Issue 18048, 16 August 1922, Page 4

Help

Log in or create a Papers Past website account

Use your Papers Past website account to correct newspaper text.

By creating and using this account you agree to our terms of use.

Log in with RealMe®

If you’ve used a RealMe login somewhere else, you can use it here too. If you don’t already have a username and password, just click Log in and you can choose to create one.


Log in again to continue your work

Your session has expired.

Log in again with RealMe®


Alert