EVERYBODY’S AND KING EDWARD THEATRES.
“The White Dove,” a pictorial adaptation of the story by W. J. Locke, is the leading attraction at Everybody’s and King Edward Theatres. The story is well worked out. and the varied motives which actuate the loading characters are pictured with a sure iiand. The action opens with the discovery by a young man (played by Mr 11. B. Warner) that his wife has been unfaithful to him. Ho broods over the sorrow which has entered his life—so much so that his faith in all humanity, and in women in particular, is severely shaken. In a mooil of desperation he decides to leave his borne, with the fear on him that his little daughter whom he has so dearly loved is not his own. In the meantime he has grown to love a eirl who appears to have all the attributes of a good woman, but. rather illogically. Ire allows his reason to suggest to him that she may go the way of his first wife. The philosophy of ’ the young husband’s fat her, however, is in the direction of, excusing the shortcomings of humanity, and to look for its good rather than its" bad. Finally, happiness comes to the young husband in the love of a pure woman. The supporting programme includes the latest Co-operative Weekly, a Bathe Gazette, the second chunter of “ Silent Avenger ” serial, and a Roland Bathe comedy, “All in a Day.”
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Bibliographic details
Otago Daily Times, Issue 18320, 10 August 1921, Page 3
Word Count
241EVERYBODY’S AND KING EDWARD THEATRES. Otago Daily Times, Issue 18320, 10 August 1921, Page 3
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