Photographing one of Ethel Merman’s specialties in Paramount’s “Anything Goes,” provided one of Hollywood’s most difficult cinematic problems in recent months. The number was done on an all-glass set and the difficulty arose from the necessity of keeping cameras and lights from being reflected.
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https://paperspast.natlib.govt.nz/newspapers/MT19360113.2.101.3
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Manawatu Times, Volume 61, Issue 10, 13 January 1936, Page 12
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44Untitled Manawatu Times, Volume 61, Issue 10, 13 January 1936, Page 12
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