Page 13 Advertisements Column 1

Greymouth Evening Star, 27 February 1937, Page 13

Variety and Charm it 1 |3 ■'. ■ • | 'tCt ) j|B < Bg|l El * I I ’'' WAUv ' M al fl 'A -/ < aaa ' z wßid B Br. < ■ llg;// - - / t - • irp j S lOfcf w;.,. V P « U? ■■■ 4 ' r ■ Hr >H Sm IKiMiM i• •■■■■ % v ': »■ B . . X’l w Rr I or i <' -' k • z 4§w< cis 2 \ wfc 1 ! ib' »®"' il K > ■ ■ t>C . , \ »?tefejMlMiiw-»w J JK~. Wk?! i M r” Cl I 1 ‘ C - 'WWkws W 1 ' § 1 i ; 1 - WtiO 'c > i 9 Bi W j I - ■ ’ in cfeyjj MMB '■ :w> ■ i' : ■ ■ ' - ■ I ■ t - c % - , ..Allßs to^c... il f" "| A tell . .„.._ . ' ■ .WjUMK cCSC. ■■ I IB .' ' jfl B ” fl fl - •'t - ”'c - /'z > ' c / F z t// fl mHk| / US \ / fi CAc KH nl E ' <re! d ’ I Hi n Ri£ B ■ CC.CCW ■ '! ? t;t.« OP : C IK7 -- / . .-'»t I ■ H. ! < C '•-' ; ‘- p-ccc -PM * :'SWW^" ; 'AX® : ?, - tA c 1 ? jvp ‘ y J’ \<~ A I ? 1I C '•' ;t"'<'?sC'^ ; 'c" <cct, aS?. - •. : -. : c••:•:..•• • c-’ r-c-cy ' ~ Made in smart and serviceable sharkskin, a popular American f : t Francis Drake keeps an appointment in this simple, but so very material, we see a calotte skirt and blouse zohich would be f > > V r ' lr* : '' smart two-piece of black wool georgette, with just the right vertect lor sports wear. The divided skirt has a corselette band |||H|MMMfc. ?/<. : c< - z f ' ’ V ■ ■ .■. r „ to emphasise the waist, and the top, ala shirt blouse, has slanting <: ■ ■'' ■ jjMte / -P'-MAv.* * 4 * touches of white to relieved it. The coat is the new length, patch pockets aiid sleeves split for greater freedom.. Patricia 110111 /C? ' A •: •<•? j' | &xA"-'\ s cut away in front and flaring slightly towards the back. Ellis, who wears it, has chosen a woven string belt to match ?< - :: - AcC - Cc k■. : ■. C . the unusual crocheted string buttons. kAP>MS-P >C''' s Py<>#Cx^sc / A4 '' C ' ,k.^PA;' 'P ' iw.r ktc x • gj>-<aMgga » wJ «9 I * W.h cgJy®» ? C !■■ VA®' 'will B . Hie. • R B Jlflr ..-••■ . Bap &■ c, ¥ 'wcf iw ;; lilic a \ i I ' '- jt sliliffiff '" l^vjfll^^fl Hk» wtfg ~ ■ ' *- AC W| KW -c , \ ; A ; O| ■f / : ■c..flß JflLc a 1 .t j c/t fe e a -..eg BRppaxwPX/ >c<pw ■•^^i^Br < ®w 1 ‘ ' yflKf /!&£»BsA«*Ae Bilk s Itw ■IK . : ;a ■ JK z<sr| C . lg C W< J At. B...-. >i- wW above ~ i IB r /' t mil ;f tfi® Kay Francis's gracious beauty is perfectly liersonlfiea : 'f ■ WlwW MpM>t' '■■ B '• c fl ; <"' --P '< in her lovely govyi of white and silver sheer gear- ' - >4fl" Wii|k c' 'A'.'-' -A'-A/wM ( X ... ' %' ’ ' ( J ettc < with its moulde(l skirt and Grecian-looking z P H BWW '"' clAAe|tS v ,\' f < ' bodice. The drapery is cleverly used to give a sweep- 1 te p" J t’ - •. J. >' % r ll|||il ing line, and worn over the head in this way is an g||||||||| A't < i ' 1 unusual departure which suggests a Greek goddess. ' c' ‘ F ? sc E E ;; a|c ■. C.-.C- \ Rw d' 'a - ! IBra™ «zrCA : -w ' ' \¥■ - ' »?y EEO ' \ |H ' vWssi fT-fc wSswWW'-; - .< jf -t c I left— , .-, - BW- HHHB * " will! H fcffillll H. Bfl ' cA.t 1 I .flflfl ' i Ps Youthful and charming for afternoon wear, this little . l||lt' ■ ' ptiWW cW' IwW W‘W» . CI- I W suede crepe frock worn by Olivia de Havilland has is .< y ft; J|||. ’ IhjP? B pt/C-'' •Ih <O neat collar, vestee and cuffs of navy blue organdie, iIII / >' / W' T P.C ‘j " ' CAVc,, AeflhJßp. -Aw. •C : :C Z li'J <1 edged with piping. The coat that goes with the \ldl | /' // jjjy ■ M [C t'Ct ILWcIIBB j p'p | •..' B : Ci -:-. .*rdW/c frock is collarlcss and fingertip length. \l||||| 1/•/////■ A ' -‘ r ' i . C 'C. Fp\ '\" ' c A' ppcP . wj ?wl«O'■ Hf ß?v : -ScA feAccil®:. ./.AAc IHolltflßßl '^w/> ; pfaL, .Qfe 4 ' eight— a®K g ? ';cft'&p3 •A>>' g\- : C eWI . 'A'WBF SPORTS. ■ ■ '' t '. Mannish tailoring with a feminine twist describes this J ... EVENING. . '•' <C . . grey flannel suit worn by Gladys Swarthout, who Jpljß..t,\ • There's ease for action in this persuasive For its snug control and long, smooth 'p ' A. -j ]fl| chooses a black linen shirt blouse and black suede ~• little aU ’ elastic WO ' W^ J lines we nomiMte this lovely backless ,t ( ?. WMCIW-; ■ . -W accessories to go with it.. The broad shoulclec line ' ; eMM Notice the sniooth Talon fastener, velvet Berlcl corselette, with the new long thigh ■ ' i is particularly smart, and the niiipcd-ln waist amt i/np sitspendets anti thcadoiabc lif-ij/f control It’s fashioned in two-ivay stretch gc ''P?C-WrACl'®'C'' ,/ ; 1 big, seamed pockets are an interesting and unusual -r^<f of the backless biassicie. it isawic lastretch and is one of the Petite models. A ®p z< 1 ' I ”°* e ’ ‘ ' . z " ’ Velvet grip suspenders and not a hook, —'~ :..'■■■ i • . ..- •> an'eye or a bone to mar the line. ‘umi ■h l ■!■■ u 1 ir’nnwwi To fit your figure into the picture YOU NEED A FOUNDATION WARDROBE rli'iDhrAcm and abdomen and a nice flat back profile, too. "You A\ant Probably you’ve all read stories of how a sculptor or painter or a p/ntrol for the wayward curve, but you want a certain amount of motion-picture director took hold of a mousey-looking woman, and e 7 J n ft flexibility too. So you choose' a Berlei corselette or longer by teaching her to walk, dress, wear her hair, and make up her face, |MBmE OIBr p IIP s t e nin with light front boning and plastic fabric back which transformed her into a beauty—presto! Unsettling, aren t they— g< cirete.hes nn and down but never across, to let you sit and bend these stories? inspired, you go out and buy yourself a new lipstick, ' snread or a tricky new dress, and try to be different. But, somehow you |B9BMRfIBB|fI RK W : P WBBH This is probably the Berlei you wear most, so see that it gives you don’t achieve the same efteet. What s lackmg in the picture! WwS, -|BW|Bi w||m|FWßl all t?e eJntrol Ad support you need to keep your shape and to What an artist or director does —and what we fail to do—is to see , - ccP;/ prevent your tiring quickly. a woman as a complete picture, in'which figure, face, posture, manner, "' - Z Your evenin'* gown definitely calls for an all-in-one, unless you’ve clothes are all related details in the whole. In your mind, probably Bffilr ! - ' ; '/ positively no° spare flesh at all. Look for the longest thigh control your'coiffure is one thing and your coat another, your figure one W |HjF /A • vou C an <*et the flattest suspenders and the most perfect uplift (for thing and your frock another. But actually there should be a strong * ? Z- nbßf t p e new’evening styles accent the bosom). Have it in the most unity between them all. ’ MF supple fabric your'figure will permit. For even fleshy figures there No frock, however costly, looks its worth unless its foundation docs F J? \ is all the control you want in Berlei’s new satins its .work first. • And don’t, imagine that one corset .goes with every ? ., the marvellous in-woven stretch And hey provide the most perfect fype..of frock. Each occasion demands entirely different lines m a ’ aMßfli surface for luxurious fabrics to fall and diape oxci. frock.. .. to fit into the picture of the moment. %U;V/VA'A> . WagjßjffiO . ,' ■ And now since you’re wearing your Berleis next to your skin .... a You w'car four different types of clothes by day. Sports clothes, ' 2 word about washing. Wash corsets of tailored suits and frocks, afternoon and evening dresses. Obviously «&gg . ' , ; , J, often, that ritna! wi 11 pro long their hie and! you cannot hope to wear them all with the fullest success over one MMB WMBtWy- Makc 1 Z? SU( S and 'T f “ R'd n lv hv .general all-round corset. MEI BEMjF' ■■ 4 } 4MKM|||| ( a nd down as youylo chifton hose Rd) any ’ /. o i ui F'>'<•••••.■■• V'-kA •• iMMESay ~ r ~ i wRBKbI with suds and vour hand. Rinse in at least three waters. Now lay . Tor sports, freedom is the bi-st consideration, ho, you do Jit i BMW >••■ ■■Ml MW.7. ■ 4 W‘Wi it on the grass 'or on a clothes horse and let il drip dry. few. bones'and choose an all-stretching Berlei, short at the tliigli ?.•••'•••'•;-'< '.- OQIB HSW'."'''■' I-f.■ , -'B™ , . • .. , . ♦ . h xv<.->i-ina« bv ’to“ allow plenty of leg movement. You choose it, unless you arc a MMfll I 1113 MiA'A fh Wl And gIVC yOU , r t0Ullclatl0 “ a ehance ta u rest )ct een vtaini = S b> really heavy figure, in separate brassiere and stepin. rather than an ■■■ ', MHsT'‘..- k ?.lr WWg«lllWI having more than one so that you can alternate them. all-in-one, to get the utmost' freedom at shoulders and waist. vA.A V-, ''• \ Wjtw! SSHr'- '■ Thought for just such things as these is what makes a woman Tailored clothes call for the utmost firmness to give the figure that '\ ’’ MBl ' s 'A masculine precision. So—you resign a little of your action freedom 'O AA'A , > IHIhI BMfW ; . i°° Lm furthesttoin. favour .of a. B.erlei with bones M IIM EHA'fe TAILORED.-There's control and (kes t al ’and firm trim lines. aFTERHOOR. —This smooth, side- 'MAfe y A'A Mkiaiwßffl Iflfl&LA/A AA firm, smooth moulding in this half- vans 11( ' Fw/hnvinrr or mil' ’• hooking foundation will fit you very \ ''ih-rs-v jRjMMHM : fit -: . flflE|| I length foundation in figured batiste. out: You II be bin in o orrndKAftnrnnnn frofk« P-mnni do ills- pcrfccGy into the afternoon, picture. BlflpM ImBLAU' • 7 lnvisible boned support for abdo- j n g nc w clothes soon—sec about Li n <■/ ihnir cn'ff fnhrTcs 'Hid It's in smooth supple satin.. High- ilwflißl 7 - ‘ ißßjfi mCn: velvet grip suspenders; p ie i r right foundations first, to .t ec lo their soft fabitcs, and ari , m.cwibtc honlwj; MMMK *ULk MWW »»W- - |WWW| rmcolh Me talons; backless u.pUl'. X th e |i ne and to fit the picIIIICS.OA er either of tllCSf uplift lacc brassiere; velvet grip brassiere in fine lace. We have lo •two shorter-line controls. They suspenders. Model kindly supplied thank Berlei for the illustration. ture. demand a beautifully flat by Berlei. ' ' ' , . . . . '.