Thank you for correcting the text in this article. Your corrections improve Papers Past searches for everyone. See the latest corrections.

This article contains searchable text which was automatically generated and may contain errors. Join the community and correct any errors you spot to help us improve Papers Past.

Article image
Article image
Article image
Article image
Article image
Article image

MUSEUM POTTERY

LECTURE BY MR H. D. SKINNER ‘ Pottery, Classical and Pre-classical, in the Museum Collection ’ was the subject of a well-attended address given at the Otago Museum last evening by Mr H. IX Skinner (lecturer in ethnology at the University of Otago). The meeting, which was held under the joint auspices of the Classical Association and the archaeological branch of the Otago Institute, was presided over by Mr Willi Pels. Mr Skinner, who illustrated his remarks with an attractive array of museum pottery placed on tiers in front of the audience, took as his central theme the group represented by the fine art of the Attic pottery—the final achievement of Greek plastic art. His opening remarks dealt with Egyptian pieces which constituted a prelude to the Greek period, and finally he concentrated on Etruscan and _ Roman ware, the manufacture of which succeeded the Greek ora. Lantern slides interspersed through the lecture cast further interesting light on the art of the various periods. The lecturer said that many features of culture in the /Egean world ran back to Egypt, where the work of Sir Flinders Petrie had given them the whole framework of their knowledge of predynastic pottery. Prior to 1920 predynastic pottery had been divided into three parts, but in 1925 Mr Guy Brunton discovered another period, which was represented by the Badarian ware. In dealing with the methods adopted in moulding this ware Mr Skinner said that included among the specimens so made were some of the oldest and best pieces known in Egypt. Egypt must have seen the dawn of civilisation or have been very near to it; but it was claimed,,by some authorities that this distinction belonged to Mesopotamia, it was his opinion that in the Nile Valley some pottery forerunning the Badarian ware would probably be found yet.

In dealing with the art of Crete and Cyprus tiie lecturer went on to say that it was from Egypt that a knowledge of the art of pottery spread to the /Egean. The history of civilisation in Cyprus hud not been so thoroughly worked out as in Egypt, and there wore no relics there of an uncivilised race. After referring to the various decorative designs on Cypriote pottery ho showed lantern slides depicting the beauty of some of the early Cretan pottery, including specimens from Knossos. It was clearly indicated that as the art of decoration progressed it freed itself from the trammels of geometric rendering and led up to floral, marine life, and other designs. The address concluded with an interesting talk on Etruscan and Roman ware, the lecturer stating that the Roman work had a good deal loss merit than the Greek, and that what merit it had was duo to the Greek forerunners. A hearty vote of thanks was passed to .Mr Skinner for his address.

Permanent link to this item

https://paperspast.natlib.govt.nz/newspapers/ESD19320802.2.120

Bibliographic details

Evening Star, Issue 21170, 2 August 1932, Page 13

Word Count
472

MUSEUM POTTERY Evening Star, Issue 21170, 2 August 1932, Page 13

MUSEUM POTTERY Evening Star, Issue 21170, 2 August 1932, Page 13

Help

Log in or create a Papers Past website account

Use your Papers Past website account to correct newspaper text.

By creating and using this account you agree to our terms of use.

Log in with RealMe®

If you’ve used a RealMe login somewhere else, you can use it here too. If you don’t already have a username and password, just click Log in and you can choose to create one.


Log in again to continue your work

Your session has expired.

Log in again with RealMe®


Alert