PADEREWSKI IN FILM DEBUT
J>ROBABLY one of the most interestting film subjects of the year is "Moonlight Sonata,” in which Lotbar Mendes was able to prevail upon Mr. Paderewski, the world’s most famous living pianist, to make his film debut in company with Marie Tempest, the greatest comedy actress of the English stage.
One of the world’s greatest personalities has been brought to the screen by Lotliar Mendes, who persuaded Paderewski Io emerge fropi his retirement to give bis genius to unborn generations and thrill us to-da'y,' “Moonlight Sonata" not only reveals the consummate genius of the world's foremost pianist, bill proves his ability as an actor. and with him is a wonderful compnny of stars. Marie Tempest, most beloved of all English stage actresses, makes her talking-picture debut. Charles Farrell has the romantic role of a steward in love with the granddaughter of the owner, a charming part played by Barbara Green, the 18-year-old English girl who has already reached stardom. Eric Portman, now under contract in Hollywood. Lawrence Hanray, W. Graham Browne, and Queenie Leonard are others.
“Moonlight Sonata” is evolved round the figure of Paderewski and in the story he plays himself. . During his world tours Hie romantic tale of young love might have happened, and probably did. for his playing Ims affected the lives and emotions of countless people. The illustration given in “Moonlight Sonata" is a young love affair which is almost shattered until Paderewski intervenes and through his wonderful playing calms the angered feelings and brings home the truth of things. Paderewski executes a number of classical compositions in “Moonlight Sonata." including, of course, Beethoven’s immortal work which gives the title to the film. It opens with some enthralling scenes in a modern concert hall 'during a Paderewski recital, and the wonderful camera shots of the maestro at the piano are likely to cause a sensation alone. His genius at the piano has been recorded faultlessly, and the most learned authorities on music are loud in their praises of the perfection achieved. A particularly charming episode is Paderewski’s visit to a child’s solarium, where he plays his own “Minuet in G,” which is danced by the little patients.
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Dominion, Volume 30, Issue 159, 2 April 1937, Page 16
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364PADEREWSKI IN FILM DEBUT Dominion, Volume 30, Issue 159, 2 April 1937, Page 16
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