PHILIP HARGRAVE

Dominion, Volume 28, Issue 34, 3 November 1934, Page 4

PHILIP HARGRAVE

To-night at the Grand Opera House, Jlessrs. J. and N. Tait will present for the first time in Wellington the brilliant 12-year-old pianist, Philip Hargrave. “When young Philip Hargrave,” wrote a Melbourne critic, “came from behind the great mauve curtains to the front of the stage, he looked smaller than he was expected to. In less than five minutes he had convinced everybody that he was « wonder child. People forgot to be sceptical or even critical —forgot everything and listened. Philip inspires confidence as soon as he sits at the piano. He has individuality, a womlerful sense of rhythm and feeling for the spirit of the music he plays. Ilis tone production Jias the roundness of a mature musician, and his command of nuances proxved the extent of his. mental growth. The breadth and warmth of his musical conceptions nre astounding. Considering his size the hoy produced a surprisingly big tone that -is never hard. He is refined and sensitive, with a beautiful sense of phrasing. Philip's concentrative power was noticeable throughout a substantial and very well-balanced programme played from memory.” Philip Hargrave’s programme on that occasion was similar to the one that he is to present this evening, including “Prelude and Fugue in O Sharp Major, No. 3” (Bach), “Presto” from “Italian Concerto” (Bach), "Sonata in C Sham Minor” ("Moonlight”) (Beethoven), “Adagio Sostenuto” (Beethoven). "Allegretto" (Beethoven). “Presto Agitato” (Beethoven). “Impromptu in B Flat,” Op. 142, No. 3 (Schubert). “Moment Musical, in F Minor,” Op. 94. No. 3 (Schqbert). “Fantasia Impromptu in C. Sham Minor.” Op. 66 (Chopin). “Berceuse” (Chonin), “Etude in G Flat.” Op. 25, No. 9 (“Butterfly”) (Chopiu). ■lt is said that, young Philip is liberal with his encores, which will include some of his most popular items. The supporting ijviists include tlie brilliant young Australian baritone. J. Alexander Browne, whose numbers will this evening include the Prologue from “I’agliacci.” “Do Not Go, My Love,” and “Tomorrow." Mr. Gordon Short has been specially engaged to act as accompanist. The second recital will be presented on Tuesday, and further concerts will take place on Thursday and Saturday next.