Roy Harper in concert

Press, 28 February 1986, Page 4

Roy Harper in concert

Roy Harper in concert at the James Hay Theatre, February 27. 8 p.m. Reviewed by Philip Norman.

Part one in what was at times a somewhat boorish, uncivil presentation last evening, comprised sitting in the James Hay Theatre, staring at an empty stage. Part two began 25 minutes later when the British folk singerguitarist, Roy Harper, shuffled on stage to utter a few strung-out sentences of introduction. Not one of these was an apology for the late start. Part three was a continuing story of rambling monologues — some abusive some grubby, some simply incoherent — Harass

humour; at such moments it was easy to understand why Roy Harper attracts such a devoted following. Part four was the music well worth squirming through the first three parts to hear. Good hardedged protest stuff this, decanted straight from the late 60s, the golden age of anti-establishment sentiment.

Roy Harper performed alone last evening, yet the sound he produced was the equivalent to at least a quartet of performers. His voice has an enviable flexibility capable of a wide range of colours and expressions. His tone is hard and commands attention.

An impressive octave range helps provide further variety. With the aid of a few

electronic gadgets his guitar work likewise carried many shades of sound, from ear-bashing distortion to sensitive softfolk finger-picking. He is at his best, though, when using a pick and allowing his love of rock lines to shine through.

The biting bottom string anchor notes for many of his songs employing open tuning never lost its effect

Highlights of the concert were, in fact, the opening and closing numbers: "Tom Tiddler’s Ground” and “One of those days in England.” The latter was especially appealing, comprising a long but never tiring medley of moods and styles, based On, early childhood memoriet 'of the singer.