Thank you for correcting the text in this article. Your corrections improve Papers Past searches for everyone. See the latest corrections.

This article contains searchable text which was automatically generated and may contain errors. Join the community and correct any errors you spot to help us improve Papers Past.

Article image
Article image
Article image
Article image
Article image
Article image

“Tobias And The Angel” Is Effective Production

“Tobias and the Angel,” 1 the ptay chosen this year by 1 the Christ’s College Drama ' Club, affords great scope for character acting, and, in addi- i tion, has some startling momenta of climax and an i abundance of humorous dialogue. These were features of the performance in the i Civic Theatre last evening that were particularly enjoyed by the audience. i An outstanding scene was : undoubtedly the appearance of Asmoday, the demon, on 1 the wall of Raguel’s garden. The alarming interview with Raphael that ensued was well acted; and the lighting and the emanation proceeding from the charm against evil spirits both proved effective. On the other hand, the pace of the ptey was some- i times slow; conversation in general could have been much more vivacious and audible. At the beginning of Act I a great deal of dialogue failed to reach the audience at all. The strongest performance test evening wm probably that given by W. J. C. Saunders as the Archangel Michael. He has a resonant voice and acts quietly and with confidence. D. C.

Irving', as Tobias, has some feeling for comedy, but was occasionally slow in picking up his cues. Tobit was very much in character as presented by A. C. Wilson. There were some lively moments in those long speeches; but this actor m’ust tak® pains to speak more clearly. R. L Baker's iwterpretataon of Raguel was uniformly successful. He caught Raguel’s air of fussy refinement to perfection. As is usual in plays where boys are seen in the roles of girl*, decision is more apparent than grace. Sara. Raguel’s. daughter. Is the heroine of "Tobias and the Angel” Acted by R. J. Astley, Sara obviously knew her own mind and sometimes marches across the stage like a grenadier. The little number shared by P. J. Spicer, a singer, and J. E. Maxwell, a dancer, wm a fem ot its kind and gave a great deal of quiet pleasure to the audience. Something should be isai-1 as weld about the stage vr* and the lighting, added greatly to the effect of the performance. "Tobias and the Angel” wm produced by Mr A. D. Hart. —C.E.S.

Permanent link to this item

https://paperspast.natlib.govt.nz/newspapers/CHP19611007.2.184

Bibliographic details

Press, Volume C, Issue 29638, 7 October 1961, Page 13

Word Count
370

“Tobias And The Angel” Is Effective Production Press, Volume C, Issue 29638, 7 October 1961, Page 13

“Tobias And The Angel” Is Effective Production Press, Volume C, Issue 29638, 7 October 1961, Page 13

Help

Log in or create a Papers Past website account

Use your Papers Past website account to correct newspaper text.

By creating and using this account you agree to our terms of use.

Log in with RealMe®

If you’ve used a RealMe login somewhere else, you can use it here too. If you don’t already have a username and password, just click Log in and you can choose to create one.


Log in again to continue your work

Your session has expired.

Log in again with RealMe®


Alert