STRALIA.
A VERSATILE ARTIST. Thero ■ aro phases in Madaono Stralia's singing whfrc ahe employs her amazingly 1 owerful voice with astonishing effect, but she is tco good an artist to rely on a series of sensational climaxes given with the full force at her disposal—too wise to make over much of her capabilities m reaching exceptional vocal heights—tco versatile to rely invariably on impressive weight when a charming lightness of touch will afford an agreeable variation. It is this extraordinary versatility that has captured critic* and audiences the world over. It is so rare to find a singer with the vocal endowment, of a Stralia, capable of interpreting satisfactorily arias and ballads, demanding flexibility, or the judicious and attistio use of tho mezzo-voce, or mellow, resonant, head tones that axe so peculiarly a feature of Stralia's exceptionally satisfying vocal methods. _ ■ _ '.• From her sensational triumphs in the, *outh tbero •is ample' evidence that public enthusiasm for- the aistingmaoed dim, h»3 in no way abated, if possible, interest in her singing is even greater. Stralia. presents an exceedingly popular progr»mroe, embracing favourite opcritic numbers well suited to her magnificent voice. Suonorted l>y- Andre Navarre, baritone; CimhftW tho greatest of all Russian violinists- Sverjenaky, tho wonderful .y popular Polish pi«ui st > &•* company should draw itcord houses, „ . , , The booking is now open at Ihc Enstoi.
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Bibliographic details
Press, Volume LXI, Issue 18571, 22 December 1925, Page 17
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221STRALIA. Press, Volume LXI, Issue 18571, 22 December 1925, Page 17
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