KING'S THEATRE
BUT THE FLESH IS WEAK Based on the play, "The Truth Game," by Ivor Novello, Robert Montgomery's new starring vehicle for Metro-Goldwyn-Mayer is "—But the Flesh is Weak" and is now at the Kings Theatre. In this new production, Montgomery is said to combine all fhc laughs of "Private Lives" the tender romance of "Lovers Courageous" and the humanness of "The Man in Possession," and making it his very best effort for the talking screen.
The cast is an exceptional one. Nora Gregor and Heather Thatcher two newcomers to the talking screen, share the, feminine leads, whilst C. Aubrey Smith, Nils Asther, Edward Everett Horton and Frederick Kerr all have important roles. i The story has an unusual twist with Montgomery and Smith, playing son 'a.nd fajtheri, Peking rich ladies ttq marry. But in spite of their intentions, Montgomery falls in love with a poor girl, and decides to go to work. Further complications set in however. Which add considerable to the splen- ■ did entertainment.
«__ißut the Flesh is Weak" is one of those pictures you must not miss.
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https://paperspast.natlib.govt.nz/newspapers/STEP19330914.2.17
Bibliographic details
Stratford Evening Post, Volume II, Issue 357, 14 September 1933, Page 3
Word Count
181KING'S THEATRE Stratford Evening Post, Volume II, Issue 357, 14 September 1933, Page 3
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