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At left, is an ensemble from Caroline Reboux. It is of black and white figured vesting, with the formula of points employed for hat and gilet. Opposite are three turbans from Molyneux which exemplify his use of large natural looking flowers. The black faile taffeta turban above adds large’ mauve orchids at front and a crottle veil. Below, is his hat of deep red carnations posed on brown net and with a brown veil. The third model is of purple violets, with the blooms massed for a forward movement and sewn on separately to show stems on a sheer foundation. The veil is mauve.

Permanent link to this item

https://paperspast.natlib.govt.nz/newspapers/ST19360912.2.117.1

Bibliographic details

Southland Times, Issue 22993, 12 September 1936, Page 16

Word Count
104

At left, is an ensemble from Caroline Reboux. It is of black and white figured vesting, with the formula of points employed for hat and gilet. Opposite are three turbans from Molyneux which exemplify his use of large natural looking flowers. The black faile taffeta turban above adds large’mauve orchids at front and a crottle veil. Below, is his hat of deep red carnations posed on brown net and with a brown veil. The third model is of purple violets, with the blooms massed for a forward movement and sewn on separately to show stems on a sheer foundation. The veil is mauve. Southland Times, Issue 22993, 12 September 1936, Page 16

At left, is an ensemble from Caroline Reboux. It is of black and white figured vesting, with the formula of points employed for hat and gilet. Opposite are three turbans from Molyneux which exemplify his use of large natural looking flowers. The black faile taffeta turban above adds large’mauve orchids at front and a crottle veil. Below, is his hat of deep red carnations posed on brown net and with a brown veil. The third model is of purple violets, with the blooms massed for a forward movement and sewn on separately to show stems on a sheer foundation. The veil is mauve. Southland Times, Issue 22993, 12 September 1936, Page 16

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