BEHIND THE SCENES

Poverty Bay Herald, Volume LIX, Issue 17871, 30 August 1932, Page 9

BEHIND THE SCENES

AT THE < COMPETITIONS WHAT THE AUDIENCE MISSES Without efficient management the Wellington Competitions could never be carried through with the large measure of success they have achieved, states the Post. Those in front of the stage can see that the arrangements are working smoothly; were to go behind the footlights they would be amazed at the tremendous amount of work that falls on the stage managers and other officials, and their admiration for the organisation which presents each programme seemingly without a hitch would largely increase their appreciation of the entertainment.

Patience and judgment, initiative and optimism are essential, especially at the aitornoon sessions in the Town Hall, when the children’s classes sometimes comprise 50 and 60 entries. There is a rush and bustle to get competitors ready to take the stage. Teachers and parents, anxious to present the little ones at their best, tako'httle account of the exigencies of the programme, and it is then that the patieiice of the stage managers is most sorely tried. They are asked to present the competitors in numerical order, but when the time arrives some last-minute touch is in progress, the properties for the turn have not arrived, or, most disconcerting of all, the competitor who should be taking the stage is not present. Yet, with these possibilities ever present, the officials carry out their duties, and there is seldom an indication to the audience that behind the stage all is not as it should bo. A STUDY IN EMOTIONS 1 ! A visit back-stage provides a fascinating study in human emotions. The hope that springs eternal animates every youngster, from those barely out of the toddling stage—some are only four years of age—to the older ones, whose stage experience is reflected in their composure. Even when the turn is over and the curtain down, whether the song or dance has been good or poor, there is always the anticipation of success. A slip may have been made in the recitation, a false step in the dancing, but the judge may not have noticed it, and until the recalls or > prize-winners are announced there are happy smiles on every face. Even when the result is announced, the majority of the unsuccessful youngsters take their disappointment philosophically. There will be other opportunities, and tlie experience of holding the attention of a largo audience is some compensation. Perhaps next time the judge will be more lenient. Actually, it is surprising how many competitors carry off prizes. A name means nothing to the judge, who is concerned only with the performances, and these may vary considerably in different classes.

In most eases the children appear completely at home on the stage, but now and then stagc-frigTit will overcome a competitor and lapse of memory, and even tears, will result. A kindly word from the judge works wonders, and many a child so encouraged goes on to earn commendation. A whispered “Good luck” from the stage managers, too, makes matters a, good deal easier before the curtain goes up.