Thank you for correcting the text in this article. Your corrections improve Papers Past searches for everyone. See the latest corrections.

This article contains searchable text which was automatically generated and may contain errors. Join the community and correct any errors you spot to help us improve Papers Past.

Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image

CONDITION OF THE THEATRE

DRAMAS OF OTHER DAYS.

LONDON, March 13. Miss Lilian Braithwaite responded to the toast of “The Drama” at the dinner given at the Savoy Hotel to the box office managers and staffs of the London theatres. There were 650 guests present, including many distinguished members of the theatrical profession and well-known society people.

Sir Herbert Morgan, proposing the toast of “The Drama,” said that it was one of the mightiest forces operating today in the interests of civilisation "and humanity. The modern outcries against it was merelj’ a repetition of those "of 25years ago. In spite of criticism and competition, the drama was not in the slightest danger. It would go on from'success to success.

Miss Lilian Braithwaite, responding, said she did so as “ a humble mummer,” very much interested in the condition of the theatre to-day.

“No longer,” said Miss Braithwaite, " is opportunity given for the public to hear or for us, the humble mummers, to give to the public, the beautiful romantic drama, preferably in verse, of other days. There are some of us who regret those days when that kind of drama drew such great crowds to the theatre. , “ Let us hope that poets and dramatists may be born to our great nation who will make it worth while for the managers to risk the production of such plays. The public has not always recognised the worth of the players or of the plays. But taking it all round, the public are pretty good judges,, and the public are our masters.”

When talking or thinking of the " dragon-fly writers among the younger dramatists who flit across the horizon of modern movements,” one was apt to forget that Sheridan did for his own time all that they were doing now. In all ages it had been said that the drama was trembling on the brink of trouble, or that it was dying. “ The drama,” concluded Miss Braithwaite, “is humanity. It is something so deep in the hearts of every one of us, inexpressive nation though we be, that it will survive all criticism and all crises.”

Permanent link to this item

https://paperspast.natlib.govt.nz/newspapers/OW19300429.2.238

Bibliographic details

Otago Witness, Issue 3972, 29 April 1930, Page 64

Word Count
352

CONDITION OF THE THEATRE Otago Witness, Issue 3972, 29 April 1930, Page 64

CONDITION OF THE THEATRE Otago Witness, Issue 3972, 29 April 1930, Page 64

Help

Log in or create a Papers Past website account

Use your Papers Past website account to correct newspaper text.

By creating and using this account you agree to our terms of use.

Log in with RealMe®

If you’ve used a RealMe login somewhere else, you can use it here too. If you don’t already have a username and password, just click Log in and you can choose to create one.


Log in again to continue your work

Your session has expired.

Log in again with RealMe®


Alert