Thank you for correcting the text in this article. Your corrections improve Papers Past searches for everyone. See the latest corrections.

This article contains searchable text which was automatically generated and may contain errors. Join the community and correct any errors you spot to help us improve Papers Past.

Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image

ENTERTAINMENTS.

OPERA HOUSE, TONIGHT.

“TIN GODS.”

Not since he made “Manslaughter’' and “The Miracle Man,” has Thomas Meighan really been seen in a picture which offered him an opportunity to display his brilliant talents, a picture which possessed' fire and action, romance and the ups and downs of life, a picture, in short, that was really worthy of him. One could have said all that before the advent of “Tin Gods,” but not now. “Tin Gods” is to be presented at the Opera House tonight and to-morrow (Saturday), and will surely prove a most welcome truest, as it were, to the many admiies of the particular art of Thomas Meighan. One thing stands prom.-' inently in ‘ ‘ Tin Gods, ’ ’ apart from its arresting and eloquent title. Melodramatic and theatrical effect, sometimos good but more often bad, have been fearlessly and mercilessly scrapped in this picture to ensure a faithful and, truly sincere rendering of life-like drama. Thus it is that, while the climax surprises on account of its illfrequency in photoplays, one’s better sense quickly recognises in this same climax, a true replica of life, and. one appreciates the fineness and -artistry of the drama all the more. Meighan’s personality, always suggestive ot slumbering fires and strength restrain, ed, fits into the role which this drama calls into being, like a glove. The supporting programme is of high merit.

GRAND THEATRE, TO-NIGHT,

“THE UNKNOWN CAVALIER.”

The activities of the \ igilantes, the “citizen police” which used to spring to action and to arms whenever law and order was seriously threatened in the Old West, features “The Unknown Cavalier,” the current attraction at the Grand Theatre. One of these times was in the “Days of ’49” in California, when the gold rush was on, and another was in New Orleans some forty years later, when widespread lioting had to be controlled. _ In “The Unknown Cavalier, ’ ’ which stars Ken Maynard for First National, the Vigilantes are shown operating against bandits that oncG harassed the good people of the Western country. The supporting programme includes the final edisode of the serial “Fighting with Buffalo Bill.”

Permanent link to this item

https://paperspast.natlib.govt.nz/newspapers/HAWST19270603.2.4

Bibliographic details

Hawera Star, Volume XLVI, 3 June 1927, Page 2

Word Count
350

ENTERTAINMENTS. Hawera Star, Volume XLVI, 3 June 1927, Page 2

ENTERTAINMENTS. Hawera Star, Volume XLVI, 3 June 1927, Page 2

Help

Log in or create a Papers Past website account

Use your Papers Past website account to correct newspaper text.

By creating and using this account you agree to our terms of use.

Log in with RealMe®

If you’ve used a RealMe login somewhere else, you can use it here too. If you don’t already have a username and password, just click Log in and you can choose to create one.


Log in again to continue your work

Your session has expired.

Log in again with RealMe®


Alert