PICTURE ENTERTAINMENTS

Evening Star, Issue 16198, 21 August 1916, Page 6

PICTURE ENTERTAINMENTS

I'LAZA. ate strux'g.e o: Ilenrv I •..,,■,,:„ ( " l overcome uie Ji-uoi- habit, which tin-Vens <» Creole his stage career; pas" s a I'reuy revelation of the lovo between Paul loiter and Sylvia fasil,.-: ami then ..,'■?, the auchvuee a peep at. Paul's treacherous "alliance *-,ih a married a:iven -' Muriel, isvly.a, faiher tails m nu.ines,' and tne g,r! d-etermims to embrace W =>Ua.jo as a. prolessio:,. Sho meets Leammg.on. who i.s greatly interested in her p drnik Aieantime tin? advcturU ■insbaml ha. discovered his wile's inirmua '•villi_ Paul, ana has divorced her. Pe-l marries her, hut she is kill ,1 i„ a rj!!)t „ r K ;%T- v . milutiu —>■ i'-i ana his ove tor h,r.„turns. lie sues iw ham. and Leamington, thh.ki.m 1- j s to lose her, lak.s again to drk,k.° j},,* Sylvia has lound l u , Jove trr.o blue, and Siio turns Paul away. The climax of the play is a by Jhoa,.hvae success by the actor and bis sweetm ,n. The -upporl g films are very interesting.

LVKRYHUDY'S.

Everybody's have a unique attraction in Uio famous Players' production 0 f Ataaame LuUeidy.' with .Mary Pickf.uvl as t,!io-L ; h.»-! s :ui. This is in every respect a l.?autitul produetiuji. By 0 li;S { imo everybody k;. O . Vs ,j 10 [K) ; g;i . ult!v y . nh^k story ot the Japanese girl who marries ihe Amenta,! naval ohker. and when ],eoany comes, waits without repining for us return. The tragic sequel is not new. hi'-t it is pcrenniaJly touching, and in Madam,. Lutterily' it has a tiu.'-o of luetic pa 55.,,,,, lent by the fortitade and ikon the despair of the Eastern bride. It is ono ot Mary Piekford's best parts. there are several good supports.

NEW QUEEN'S. 'Charity Ami,' the new headliner at the Queen's Theatre, is tin; siorv of 'a \vi-o!i.r righted. The aiulhuco are iuiro'duced to the Unions violinist Ana Chan'tv nenmd whu.sc ;ancess lies a trajje.'iv 'lni is revealed in her faee. She is a-iv'fp-l l:<;o!,;ny j or t h u man who stamned th"'<Jonk iifKJii J mi- face. Ono <trv a''a rer---t-i'm she meet-; the artist li.-aham. and to Ins surprise mviies him to h-r ~,„,r , , She !.vl.-s the door and be-ins to Wi her to the nnslihVd man. \s tlm >-. v '•Jt.il prove <(s, .however, mvslifierdhm </ia!Y-v< to d:smay. for when she tells of t.ie ,:UiC sturvul street violinist taken to a man; smdm and shnmendiv used, ho rceusmises the story of his own havmnvs, and i.eforc him its victim. The man vAl< her in fm n of his rouepSamv Mid his seare], icv her, am! she ,\ i,,,,,.,.' what sofuned. I;,n a e'-ue; umeu lie attempts to -rest a ' revolver trom !nr. lhe ehuivje I.Tii ;-r? 1".:,- him. V/Vn the maid and porter rush in,'!'; ever *-.* ! Vo' s 111.011 himself the blame for tli-> ae-idenV and the scene finds the : e two who have hurt each other, talking m -ri- the luture with a new-fouml "temleriK'-x Oilier subjects are the. topical lilm 'Subraarme Warfare' and a yood corned-,-.

The big exhibit at the Emiiiro Theatre i'< the drama of love and adventure 'The Come-TCack.'

A grilling society drama. 'The Hand at the Window," is tho most notable of tho features at the Grand Picture Palace