Thank you for correcting the text in this article. Your corrections improve Papers Past searches for everyone. See the latest corrections.

This article contains searchable text which was automatically generated and may contain errors. Join the community and correct any errors you spot to help us improve Papers Past.

Article image
Article image
Article image
Article image
Article image
Article image

REGENT THEATRE.

"The Sun Never Sets."

"The Sun Never Sets," an Empire picture reflecting the life and books of such Empire-minded Englishmen as Sir Harry Johnston, and in key with the Kipling ideal, opens tomorrow at the Regent Theatre. The picture is outstanding both for its tribute to English Imperial tradition and for its entertainment value. Entertainment value is a thing that a picture cannot dp without, and therefore an imaginative Nazi nest of infamy is set up in British Africa and is most sensationally bombed* out of existence, with devastating effect to everybody except the hero (Douglas Fairbanks, jun., who has come through this kind of scrape before). But, with every concession to thrill and ,to "action," "The Sun Never Sets" remains a picture with a purpose, and a constructive purpose. It shows how the Empire in coloured tropical regions is still being built up in the spirit of "Kipling's Song of the English," not by territorial additions but with the blood and tears of Englishmen and Englishwomen who undergo long exile in difficult climates, sometimes paying with their lives. Three generations of the Randolph family (dedicated to. colonial service since the days of Robert Clive) are shown in the picture, and a fourth is born dead on the Gold Coast at peril of the mother's life. Young John Randolph (Douglas Fairbanks, jun.) opens the picture as a rebel against the family tradition of Empire service and exile, and is tamed by the example of his elder .brother (played by Basil Rathbone) and by his old Empirebroken but unyielding grandfather, Sir John Randolph, played with sure touch by C. Aubrey Smith. Barbara O'Neil and Virginia Field and Mary Forbes work out the women's side of the Empire sacrifice. Those picture-goers who want anti-Nazism served hot will find a pretty villain in Zurof (played by Lionel Atwill) and the bombing of Zurof's African stronghold, with its i secret radio, is an air-thrill masterpiece. In fact, "The Sun Never Sets" has something to meet all tastes, but the high Empire purpose of the picture remains, and such pictures . are to be encouraged.

Permanent link to this item

https://paperspast.natlib.govt.nz/newspapers/EP19390913.2.46

Bibliographic details

Evening Post, Volume CXXVIII, Issue 64, 13 September 1939, Page 6

Word Count
351

REGENT THEATRE. Evening Post, Volume CXXVIII, Issue 64, 13 September 1939, Page 6

REGENT THEATRE. Evening Post, Volume CXXVIII, Issue 64, 13 September 1939, Page 6

Help

Log in or create a Papers Past website account

Use your Papers Past website account to correct newspaper text.

By creating and using this account you agree to our terms of use.

Log in with RealMe®

If you’ve used a RealMe login somewhere else, you can use it here too. If you don’t already have a username and password, just click Log in and you can choose to create one.


Log in again to continue your work

Your session has expired.

Log in again with RealMe®


Alert