CJHORTT'S THEATRE. '■ . THEATRE. : "TALKIES." : "TALKIES." Western Electric Equipment, j ...Continuous from Noon to 10 p.m. !■ TO-NIGHT AND TO-MORROW. '. Last Opportunity of Witnessing ! ■"' 'MAURICE i MAURICE CHEVALIER ■ ' MAUKICE CHEVALIEU MAURICE CHEVALIER '■ " JEb one of the Greatest Pictures ever j ! ■'-•■■ ; , ■ Filmed, i " ■-,- .:.'• '- : ■ «THE INNOCENTS OV PARIS." : "THE INNOCENTS OF PARIS," ; ' «THE INNOCENTS OF PARTS," •■'THE INNOCENTS OF PARIS." | "TTIE INNOCENTS OF PARIS,' ! ypgethei- with a supporting programme of ' . Jalkie Featurettes that have never been 1 '; : equalled in Wellington.. : . ';':"'.'■' SEE IT TO-NIGHT. •' . . COMMENCING FRIDAY, | ■> -: COMMENCING FRIDAY, ' Sfnited Artists present the Sensation of the I ; .-;.. year, Britain's Mighty Masterpiece, i : ■■■-■ ■-•" "KNOWING MEN," ! ■■----■■ "KNOWING MEN," ■ : ■•■-•■; •■■•■:.■■■■ KNOWING MEN," I" "KNOWING MEN," ; • - :■■ "KNOWING MEN," ; ■'••■■■•■ ■ ■ "lOTOWING MEN," ' -' - "KNOWING MEN," ; "KNOWING MEN," ! '.% story of the ways and wiles of women. ;• .a,, new. aspect, of the "never-ending query, ; to..Know Men." A piquant and ■ daring exposure. i MiINOR GLYN'B. : ELINOKGLYN'S : .ELINOR GLYN'S - :.J!LINOR GLYN'S LATEST i ELINOR GLYN'S SENSATION. ■ ELINOK GLYN'S ; ELINOR GLYN "S ! , ELINOR GLYN-S ] Cast iucludes: ; " CARL BRISSON. j. ELISSA LANDI •"Knowing Men' is .i tiiuinpli. United I lArtieta are to be congiatulated on having ■ gecured a picturo which shoi\s that Engj land can make films having all the finish :. t)i the finest woik fiom any studio in the -world. -A:few more films like 'Knowing | Men' -Would make the film quota euperi fluouß."—Vido London "Daily Chronicle." 1 On the Same Programme, ' I "MICKEY THE MOUSE" i ■ .':'■^"-"■i -■•■■•'■■■■■; ;in ■ " :' ; ..;.''.:,'"..."Mick'-Y'S choo choo/\ : rTHE PARAMOUNT THEATRE. | fiiiSN? igiiS ■:».:■■•-■ ■;.•.- '(Courtenay place), i „: \ J-.THIRD AND FINAL WEEKr 1 ■■■■■ ;.- Reason' Drawing to" a Close. ; •■■ ?■ •'" '(Daily,-2.30 -- Nightly; at 8)'S ©f the Universal Super Production— ' ■ "ALL QUIET ON THE '■ ' "ALL QUIET ON'THE ' i "ALL QUIET ON THE ! ... "ALL QUIET ON THE WESTERN FRONT." ; :, ■WESTERN- FRONT." ; ■ ; FRONT." ! .!.•:.- - : -i WESTERN FRONT." . j ':* ■{"A" Certificate:. Adult Audiences.) ' 'THE'MOTI6n PICTURE'S GREAT ■ -t ~-.■ ACHIEVEMENT. ■BOX PLANS AT BRISTOL AND 1 THEATRE. BOOK EARLY! ■an :ssi Siifi j *HE QUEEN'S THEATRE. : - TO-NIGHT—B—TO-NIGHT. ; *;.-.•.;■ iTO'NIGHT—B—TO-NIGHT. i iJkti-Mkfng Whirlwind Western Comedy- ... ~_..,.-...-.., ..,,.■ -.Drama,- •■ . ■ 5---- tacked with Action and Thrills. , ■: ;:::.^roaring ranch." "roaring ranch." ' : ' r'r "ROARING RANCH." :: ; '■ "ROARING RANCH." i ißtarring the Popular Favourite ! ■- ■■■•"" " HOOT GIBSON, HOOT GIBSON, 1 HOOT GIBSON, ; -HOOT GIBSON, j With SALLY EILERS, WHEELER • OAKMAN, and many others. ' ftUEEN'S ''TALKIE" FEATURETTES. ; " BOiX ELANS AT THE BRISTOL. ! ' POPULAR PRICES: Is to 2s 3d. fXTEW. .PRINCESS THEATRE. "■ PRINCESS THEATRE. ! NOW SHOWING. 1 DOUGLAS .FAIRBANKS, JUN., ' "DOUGLAS FAIRBANKS, JUN., i JOBYNA RALSTON, i JOBYNA RALSTON, ! : .In ■ ■ . '. > "THE TOILERS." ! . "THE TOILERS." ' "THE TOILERS." i "THE TOILERS." "THE TOILERS." "THE TOILERS." "THE TOILERS." Also, "PROTECTION." "PROTECTION." "PROTECTION." "PROTECTION." "PROTECTION." In Support: GAZETTE. SERIAL. COMEDY. TALKIES! TALKIES! TALKIES! OUR THEATRE, NEWTOWN. UR THEATRE, NEWTOWN. ' TO-NIGHT—7.4O—TO-NIGHT. MARION DAVIES MARION DAVIES In her first All-talking Pictirrc, "MARIANNE." "MARIANNE." You'll love Maiion.Davies in this post-war comedy riot. In Addition—• SPLENDID ALL-TALKING SUPPORTS 'CAPITOL THEATRE, MIRAMAR. " APITOL THEATRE. MIRAMAR. TO-NIGHT. TONIGHT. ■.:•■ Cecil B. de Milled "DYNAMITE." "DYNAMITE." "DYNAMITE." "DYNAMITE." The powerful story of the grim miner a?id ■ the society butterfly. A Metro-Goldwyn- ■••■■■■-■• Mayer Special. (Adnlt Audience Recommendation.) ' ISTofet ' "Dynamite" ' commences inirncd- ■ Sa*«iy iittr the overture.
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Bibliographic details
Evening Post, Volume CX, Issue 50, 27 August 1930, Page 2
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492Page 2 Advertisements Column 1 Evening Post, Volume CX, Issue 50, 27 August 1930, Page 2
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