KING'S THEATRE.

Evening Post, Volume CX, Issue 50, 27 August 1925, Page 10

KING'S THEATRE.

The story of "Sally," one of the best human interest plays yet filmed, showing finally to-night at the King's Theatre, depicts the quick, fiery, and independent temperament of a ohild vjhen shehappened to be one of the leaders in amix-upbe-tween the street urchins and orphanage children. Later on an opportunity comes to Sally to appear as an entertainer in a cafe, and she scores a big success. The management of the theatre has secured the services of Bliss K. O'Brien in staging a prologue consisting of some of the beautiful dances from the original stage play. A special muaica] prologue has been arranged for, and will be rendered under the baton of Mr. Jerome. "LOCKED DOOES." William de Mille's newest Paramount production, "Locked Doors," featuring Betty Compson, Theodore Roberts, Kathlyn Williams, Theodore yon Eltz, and Kobert Edeson in the principal roles, comes' to the King's Theatre tomorrow. The story is a. domestic drama lightened with many bright comedy touches, and tells of what happens when a young architect falls in love with the beautiful wife of his friend and benefactor. They both meet, neither knowing the identity of the other, at a trout stream way back in the mountains. It is a case of love at first sight, youth calling to youth.. But it is not until the boy is invited to his employer's home and there finds out who the girl really is that trouble begins. The husband's sister tries to put it into his head that these two, the architect and the ■ wife, have met before. But ho -will not listen to her. He trusts his young friend and loves his wife. There is a great fire scene during which the architect is trapped in Mary's (Miss Qompson's) room. The husband comes in search of his wife and finds the pair toegther. There is a fight—or, rather, a fight starts, but when the young fellow refuses to defend himself a 6trange thing happens.