KING'S THEATRE.
Once in a while out of the jumble oK countless screen plays that are produced each year, there is offered a picture of the average feature length that ha 3 a •'something" about vit which sets it apart. This.bears no reference to the inammbth plays that are, made 'on a lavish scale, entailing many months of production and "million-dollar" casts, but iafher to those "in-between" types of picturee. Commencing at the King's Theatre tp-ir\orrow evening is a pictui^ • which might rightly "be pla.ced id N the "in-between" class, but which has that "something"- referred\to, lifting, it out ot the regular groove. The picture is "The Family Secret," a Universal melodrama, and the "something" which sets it apart ?is a little four-year-old girl, Baby Peggy, the. tiny star' of the picture. : Her'action in the nureery scene, where she listens for a few dull minutes ,to the reading of: a love story by her nurse, and then slips, away, is pne.of the best bits of acting seen this year. The story itself, written by Frances Hodgson Burnett, is interesting, but it is to Baby Peggy that the honours for | the picture's eepeciaL worth must b<* credited. ...-■■.; The. box plan is now open ,at the Bristol Piano Company. • : v -The final screening of '-i'lirtingWirh Love, starring Colleen Moore and ' 'rTIS Wlw-iT' BI 1"i.'^ke? -^"w; .to-night. Mrs. Wilfred Andrews's songs ait a pleasurable treat. ■' \ ■■• ■■'■.• .-■
DE lUXE THEATRE. Th e: last night of "Potash .'and 'Perlmutter, m Hollywood 1; is announced at ♦ f e,, Lu; xe '..Teah eatre- This amusin 3 taJe .of the Jewish partners' venture info the .film business has a leavening of /dramatic^interest, and- many well-known stars walk in and out of; the scenes, surprising the audience with 'their unheralded, appearances. ..-■ ■ ' ..-•..-■ . Comemncing to-morrow night will be shown. Cecil B.de Mille's latest produc Vf 0"1- et °f Clay." from the novel by Margaretta Tuttle. It -features Rod la Rocque Vera. Reynolds (a-new screen type), Juha Faye, Theodore Kosloff, Kobert kdeson, Ricardo Corte?:, Victor Varconi, and other stars; -This story of American, society has a fine moral for the pleasure-loving wives of wealthy "^"- -A very modern 'society girl, % brido of,a few.months, finds herself called upoa to .support a maimed, husband.' i -How -the young. wife-o.ve'rcom.s this'impasse is. delightfully told: There k l? e nyal, .of. course;..w.ho inundates- the youns ,wife-,with.. t inviUtions' to a gaiety fron! ' which ;the ,rippled. husband^s^arS th« r,.; B t weal, fchy in- love with tlie cupple, and whose interest in the patient nearly causes a! domestic disamni:; \f& ."»:»>*«nch modiste who employs the wife as a; model, using her name and society reputation as a lever for to business, and there is an undert fin? iQetor, wh° helps the, Harlans to find themselves. The magnificent manner in which : American society • entertains makes for some startling scenes and among it all the" valiant effort of Wrf f hi * Ot?t 3S a clarion earning against the^mcessant, craze for excitement, regardless of expenditure of money and energy;^ A malinee will be held on Br str o l ay A"»wea' S may be booked atTh" Bristol, Aitken's, or at the theatre.
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Bibliographic details
Evening Post, Volume CIX, Issue 30, 5 February 1925, Page 5
Word Count
520KING'S THEATRE. Evening Post, Volume CIX, Issue 30, 5 February 1925, Page 5
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