Thank you for correcting the text in this article. Your corrections improve Papers Past searches for everyone. See the latest corrections.

This article contains searchable text which was automatically generated and may contain errors. Join the community and correct any errors you spot to help us improve Papers Past.

Article image
Article image
Article image
Article image
Article image
Article image

Portrait of contemporary China

“The Long Bow Trilogy,” three films that provide an extraordinary, first-hand portrait of contemporary China, will be screened by the Canterbury Film Society this Sunday, at 7.30 p.m., at the Clock Tower Theatre, in the Arts Centre; and on Tuesday, at the same time, at the Sociology Theatrette, Ham University. The director, Carma Hinton, was well

qualified to make this film. The daughter of William Hinton, whose detailed descriptions of the village of Long Bow in the books, "Fanshen” and “Shenfan,” are classics, she was bom in Peking in 1949 and never left China until 1970. The directness and honesty with which the villagers speak to her is as remarkable as it is refreshing.

Permanent link to this item

https://paperspast.natlib.govt.nz/newspapers/CHP19890331.2.133.2

Bibliographic details

Press, 31 March 1989, Page 23

Word Count
118

Portrait of contemporary China Press, 31 March 1989, Page 23

Portrait of contemporary China Press, 31 March 1989, Page 23

Help

Log in or create a Papers Past website account

Use your Papers Past website account to correct newspaper text.

By creating and using this account you agree to our terms of use.

Log in with RealMe®

If you’ve used a RealMe login somewhere else, you can use it here too. If you don’t already have a username and password, just click Log in and you can choose to create one.


Log in again to continue your work

Your session has expired.

Log in again with RealMe®


Alert