‘G.O.P. Helpomatic’

Press, 21 January 1987, Page 4

‘G.O.P. Helpomatic’

“G.O.P. Helpomatic” directed by Andrew Riddell at the Free Theatre. January 20 to February 1 (except Mondays). Running time 2 p.m. — 3.15 p.m. Reviewed by Elaine Whelen. Each year the Free Theatre, in the Arts Centre, performs a children’s holiday show. The present production is based round a competition for the most absurd household device. A zany, innovative script together with an enthusiastic cast provides excellent holiday fare for children over seven years. The "Klaptonic Kitchen Corporation” enters its unusual household machine in to a “Challenge Series” reminiscent of the America’s Cup contest. Their opponents and arch-rivals, “Hyperactive Homeware, Ltd,” have ] wofljfthe series for many yeaFF*m~*Tsuccession.. As

the play moves toward a predictable resolution, the audience is entertained with a rapid sequence of vivid scenes, acted with spontaneity and good characterisation. The human dimension is added to the “hightech” environment when Mavis (Yvonne Holtslag) and Bill (Phil Clark) are asked to endorse the “G.O.P. Helpomatic” machine. Full of Kiwi, backblock innocence and ingenuity they are able to mend the sabotaged machine with No. 8 wire. One is reminded of the “Rocky Horror Show” as this naive couple encounter the efficient Corporation employees and begin to enjoy a life of parties and golf. Holtslag and Clark sustain their roles with a fresh and seemingly spontaneous performance. teamwork is evirderit throughout, \ as the

large and versatile cast make use of the latitude in the plot. Apart from a few technical hiccups in the beginning, the audience’s attention was held throughout the fast-moving production.

David Jamieson’s excellent sound effects, particularly in the “factory” scene, added an exciting dimension to the play. The original script, written by Andrew Riddell, was revised with considerable input from the cast, who were involved in all aspects of the production. This practical experience undoubtedly increases their theatrical understanding and acting potential. The Free Theatre enables playwrights to experiment in the early stages of their development and deserves to be encouraged. An exciting jßy well worth seeing.