Variety at the C.S.A. gallery

Press, 2 July 1986, Page 20

Variety at the C.S.A. gallery

Hi-tech is a popular description for objects which look like the things they do. In other words their style derives from their function. This approach to design is not new, it originated in the 1930 s at the Bauhaus, a German arts school which rose to International prominence. Before it was closed down by the Nazis, the teachings of its staff such as Klee, Kandinsky, and Bayer had influenced artists, architects and designers all over Europe. Ernest Kalnins trained as an architect in Austria

during the Bauhaus years and was strongly influenced by its philosophy. He is now exhibiting paintings at the C.S.A. which he says, “aim to please the eye in a happy way.” Colour plays a major part in these works. A description of the ever-changing moods of rivers changed to “an expression of balances and cycles” for Linda James. The drawings of rivers were used as a basis for large paintings employing acrylic paint, calico and hessian. Exuberant spontaneity coupled with inno-

vative technique has been a feature of Linda James’ previous exhibitions at the C.S.A. Peace is the context for Pat Unger’s paintings completed during the International Year of Peace. Annie Baird is a familiar name to members of the C.S.A. She has been painting for 21 years in a wide range of media and is also known for her children’s books. Flying high above the land as a student pilot is the inspiration for weavings by Brigit Howitt, a weaver in the exhibition, Five Weavers, now on at

the C.S.A. In city streets below are the forms and shapes that provide a starting point for the weavings of Jeff Healy and Elizabeth Arnold. Anna Day and Betty Pears take inspiration from light, atmosphere and mood to create the warmth, depth and blending that is the special characteristic of weaving. Five Weavers exhibition is touring New Zealand under the sponsorship of the Arts Societies of New Zealand. All exhibitions are open to the public until July 13.