Primitive Art

Press, 8 March 1984, Page 8

Primitive Art

Primitive Art, presented by the Christchurch Festival at the State Trinity Theatre, March 7 and 8, 8 pan. Reviewed by Philip Norman. At best its sound is explosive, at worst it is rambling and self-indulgent; hot or cold, loose or tight, whatever extreme is pitched, the contemporary jazz quintet Primitive Art is a welcome addition to the festival programme. - Its concert at the State Trinity Centre last evening contained passages of genuine invention, exciting moments where articulate expression was found midst a welter of timbrel, rhyth-

mic and melodic expression. All five musicians— Anthony Donaldson (percussion), David Donaldson (bass), David Watson (guitar) Stuart Porter (reeds), and Neil Duncan (reeds)—have enviable command of their instruments, secure musicianship, and free-ranging imaginations. Within the group there is a strong sense of communication, although at times the ensemble unity is frayed by soloistic urges. The group was at its most interesting in the middle of the first half, where pieces such as “Anthem,” “Swingin’ in the Rain’” and “Black Sheep” had great impact particularly as the distinc-

tive sound of the group was still fresh on the ears. “Elephant Talk” with its maniacal chant of “trouble, trouble” and strong, hypnotic pulse was especially effective. Primitive Art’s act is well dressed, with colourful, bold props and backdrop reflecting the richness of their sounds. It is a pity, though, that the focus of each musician in performance is so introspective. Eyes down, shoulders hunched over their instruments, their presentation tends to exclude the audience. This should not be the case, for the musical product is one that is well worth sharing.