Thank you for correcting the text in this article. Your corrections improve Papers Past searches for everyone. See the latest corrections.

This article contains searchable text which was automatically generated and may contain errors. Join the community and correct any errors you spot to help us improve Papers Past.

Article image
Article image
Article image
Article image

A PHOTOGRAPHER OF BALLET.—This picture of leading dancers of the Paris Opera Ballet in Le Foyer de la Danse is one of about 200 studies in the third of Baron’s ballet books—“ Baron’s Ballet,” published by Collins. Baron (who died last year) loved ballet; his photography testifies to his devotion. . The present book includes, with memorable pictures of European, Russian, and American ballet scenes and dancers, a beautiful section of pictures of what Baron called “exotic” ballet. This section comprises pictures of Siamese, Chinese, African, and Japanese dances. The book has four coloured studies, one of Fonteyn as “Firebird.” From a magnificent selection, many would choose the picture above, which has much of the charm of a Degas painting, and an exquisite black and white study of Markova as “The Dying Swan”

Permanent link to this item

https://paperspast.natlib.govt.nz/newspapers/CHP19581122.2.7

Bibliographic details

Press, Volume XCVII, Issue 28750, 22 November 1958, Page 3

Word Count
132

A PHOTOGRAPHER OF BALLET.—This picture of leading dancers of the Paris Opera Ballet in Le Foyer de la Danse is one of about 200 studies in the third of Baron’s ballet books—“ Baron’s Ballet,” published by Collins. Baron (who died last year) loved ballet; his photography testifies to his devotion. . The present book includes, with memorable pictures of European, Russian, and American ballet scenes and dancers, a beautiful section of pictures of what Baron called “exotic” ballet. This section comprises pictures of Siamese, Chinese, African, and Japanese dances. The book has four coloured studies, one of Fonteyn as “Firebird.” From a magnificent selection, many would choose the picture above, which has much of the charm of a Degas painting, and an exquisite black and white study of Markova as “The Dying Swan” Press, Volume XCVII, Issue 28750, 22 November 1958, Page 3

A PHOTOGRAPHER OF BALLET.—This picture of leading dancers of the Paris Opera Ballet in Le Foyer de la Danse is one of about 200 studies in the third of Baron’s ballet books—“ Baron’s Ballet,” published by Collins. Baron (who died last year) loved ballet; his photography testifies to his devotion. . The present book includes, with memorable pictures of European, Russian, and American ballet scenes and dancers, a beautiful section of pictures of what Baron called “exotic” ballet. This section comprises pictures of Siamese, Chinese, African, and Japanese dances. The book has four coloured studies, one of Fonteyn as “Firebird.” From a magnificent selection, many would choose the picture above, which has much of the charm of a Degas painting, and an exquisite black and white study of Markova as “The Dying Swan” Press, Volume XCVII, Issue 28750, 22 November 1958, Page 3

Help

Log in or create a Papers Past website account

Use your Papers Past website account to correct newspaper text.

By creating and using this account you agree to our terms of use.

Log in with RealMe®

If you’ve used a RealMe login somewhere else, you can use it here too. If you don’t already have a username and password, just click Log in and you can choose to create one.


Log in again to continue your work

Your session has expired.

Log in again with RealMe®


Alert