THEATRE ROYAL.

Press, Volume LXV, Issue 19724, 14 September 1929, Page 12

THEATRE ROYAL.

"The Broadway Melody," now being presented a± the Theatre Royal as a, "talkie," sets * standard by which the new an will be judged for some time to corns. Had the film been » Bilent one it would have been a landmark even in these days of picture perfection, bwt with the combination of masterly photography and the perfection of the sound invention it provides what must be quite"« new experience for many people, although the "talkies" have been in the City for some time. The singing, talking, and other effect* prove a rare delight, and the name of Broadway becomes a reality. Around: "the aspirations, the griefs, and the joys of twosisters is woven a play of remarkable interest, with sometimes scenes of dramatic totensity, offset with pieces of delightful comedy. One of the interesting features of the whole thing is the fact that the audience feels, as with the legitimate stage, that it is part and parcel of the performance, and this quality of intimacy speaks volumes for the success of the production. Back-stage life has been exploited in song, ' play, and flimsier-., and is perhaps the best suited of all locations for atmospheric drama. Quite often the comedian who makes people roar with laughter,' when engaged in his calling, is • tragedian in real life, and this is the theme which "The Broadway Melody" carries Oft its triumphant way. Throughout the film runs a haunting theme-song bearing the same title os the picture, and it takes its part in joy and sorrow, love and hate. In the leading role Charles Kins displays an appealing mauncr and good elocution, and almost every word spoken bv members of the cast comos 1 out with unfailing clarity and penetration. To the composers, Arthur Freed and Naeio Herb Brown, must go the credit for a fine musical score. In support of the big picture are heard and I seen William O'N'eal, a tenor, in "Lohta, | "Duna." and "Cntil," and "The lan excellent male quartette. in "Nola, I "The Gospel Train." and "I'm in Love Araln." George Lyon?, the singing harpist, presents four good numbers, and a negro song-and-dance act, also a Pathe Audio Review, | anda piece of seascape make up an entertaining series of "shorts."