SPECIAL ARTICLE. SHAKESPEARE'S USE OF FIGURE AND METAPHOR.

Press, Volume LXII, Issue 18788, 4 September 1926, Page 13

SPECIAL ARTICLE. SHAKESPEARE'S USE OF FIGURE AND METAPHOR.

'air joyta of Dr y den ' s gii*stvle was 'pes"pestc red" tbe rftise of ''crammed full W$ 3 the most .-baracterlltft 1 , rtafceipeare's diction, ft d BK by lt&elL + r° jt&Sj** l him ib tlm l no other quality does * rank) luxuriance of & (*?„ dfld freer play* ~ •o&land material worlds io lua li® V nveriierginct out one ils&P i,- moecta of the other, & 6 ftbis interpretation ot 4 Is it ft U ' fc 01 ESS* to writers of Dry dlSCor *0 Clascal Irene!, 'fi ihis riotous iwinanco ol &V&N* 'H US KI ! ; fc i B Jrftil ingredient of khakejSii l»e- wouIU Dot.be Shakewliifc to dwell for iSLjt*} on this aspect of fi'l diction, end' follow the BJ-Uf mind in a few osoccasion the examples ;i font one play, the play Sought is strung up to the SS*V and, conse'X rafltflpboric colouring IS «&t." Wc must LSaf'tfe aro not now dcalSumf or similes, or com«'JS«d out in detail between sof conditions and another, tw . Pa, ] to or ®«|t in such abundance, fettfl flgares are never worked Sail. 9r only occasionally, to jiaunerisro. of sMie fSiatic sententious* personfjiffiue;' Only in the mouth be i> ave P ufc

Ijoreroent o| the i mind. Having, If, mndo a neat a corresponding •se, tediousness, bears the same g that the soul I outward moveBut this latter ■ivifying agency, activities. Ihc ccrblance whatever idea itself to itlous maxims of crucial example fare's genuine d.o!not run on be, submitted to pis to harmonise jpering with the ijpnlous balance ;<«und ready to i/-' because one fast a aea; and inanner soars soliloquy is a.Shakespeare's ; jirifnant lines betiphoric life: pale yes through inthy. perplexities id'yot' In prose Id. \ descend to a pun. JUaciis.valaßcefl. coroast thou to m : CtValnacad," vii'-that Shakenot run on all es- &- Wedges into a >'Wlto a suggesdjperent meta. eaya's; pietorial tot,, that a £-. hirsts on his Alteration' of a this, instead of light be expectifcenfich.es the inttlieaample is

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Guildenstem):- you would ..you would Play »&" ?Vu would seem to know ■ W. > m , n>yspluck out the bean Uom tery; you *™'Vt, o{ mv compass; and lowest note *° f^ ie to^ o ce llont voice, m tb. there is much music, e mke lt little organ; }« canu heaven." ° M J^ e0 S y in the rush developing t TS2SS Soy'be quoted of a torrent of P?^ 10 !]; " re pi v to his I done?") says this-

"Such an!?ct mo(Jwty: That blurs the grace.and Din {he rose Calls virtue byP° cri, |'f a n innocent love. Srom.the fair t^ head of m „ lage . And sets a Mister \ rhapsody ot nse®??***- lthesUb . Hero we »« s * 8t ?P ; nS fuller *T ject affords gg &SSmigb.t *ork the different out a comparisonibety tapho rs ecBtyles of m v !ay . cording totoffigShi, NIbM""" tho£C of " R,c ll.' - '