Page 1 Advertisements Column 6

Press, Volume LXII, Issue 18669, 19 April 1926, Page 1

AMUSEMENTS. "HE. WHO GETS SLAPPED." •HE, WHO GETS SLAPPED." "HE, WHO GETS SLAPPED." Here i« the Film Sensation of the Year, to be Presented at The 18E R T Y 2 p.m. THEATRE. 7.30 p.m. For Six D»y« Only For Six Days Only The Tragic Story of a Circus Clov The Tragic Story of a Circus Clov '•HE, WHO GETS SLAPPED." "HE, WHO GETS SLAPPED." "HE, WHO GETS SLAPPED." A Strange, Tragic Masquerade. What was the Stent that lay Hidden Beneath the Mocking Jcsta of Europe'a Greatest Clown J. "HE, WHO GETS SLAPPED." "HK, WHO GETS SLAPPED." "HE, WHO GETS SLAPPED." A SLAP—A Burst of Jeering Laughter— Treachery had Triumphed! And into the Circus Ring Contempt had flung * Clover Scientist. "HE, WHO GETS SLAPPED." "HE, WHO GETS SLAPPED." 'HE, WHO GETS SLAPPED." As a Clown he Brooded until the day Ms Betrayer atood before him Helpless in his Ignorance. And in the Dread Scenes that follow, a Vengeance is wreaked, born in the crazed Braiu of the Nameless Clown. "HE, WHO GETS SLAPPED." "HE, WHO GETS SLAPPED." "HE, WHO GETS 'SLAPPED." A Room with Two Doors; One Locked, the Other Guarded by a Lion Raging in Fury THE SCENE. Three Men; Two of them Aristocrats, the Other a Nameless Clown, Bobbing out hie Life from the sudden Sword Thrust THE PLAYERS. And the Stage is Set for the Screen's Greatest Dramatic •Climax THE VENGEANCE OF "HE, WHO GETS SLAPPED.' "HE, WHO GETS SLAPPED." "HE, WHO GETS SLAPPED." Love had come to the Cfrcus. In a Roseate Mist it enveloped the lovely Consuclo. A Sudden Terror Threatened it, but in the Twilight of Hope a Struggle is fought, and a Terrible Price Paid that it should Live. !'HE, WHO GETS SLAPPED." "HE, WHO GETS SLAPPED." "HE, WHO GETS SLAPPED." With a Mighty Cast Of Stars: Lon Chancy, Norma Shearer, John Gilbert, Tully Marshall, Clyde Cook, Marc McDer; •LIBERTY CONCERT ORCHESTRA. Conductor: Mr Ernest Jamieson. > BOOK YOUR SEATS NOW. Reserves at The Bristol, or 'Phone 2366. 8114 . EDUCATIONAL. ACCOUNTANCY HEMINGWAY'S • THE' TWO GO TOGETHER. FOR over 29 years, Hemingway's Correspondence Schools have been established as . Spi young men—and women too —for the Accountancy Examination. Their Homo-Sludj\Accountaney Course, , their' whole ayatom of Postal Instruction, is based upon the requirements of.the man who wishes to practise Accountancy i in New Zealand. - . ..Hemingway's i Students* accordingly learn vmotALtlum the gfttwal principles' •»f""-st--Xe1oftfftaifdy. ■ Their tuition eqtitpT them with a thorough grasp of the practical aide of an Accountant's work, and with a sound knowledge of business in general. v ' Modern business demands Accountants. It pays them well. In this profession j lies your opportunity. Hemingway's Accountancy Course will enable you to grasp this splendid opportunity. GET FREE BOOkT^ACCOUNTANCY." Writ* To-d*y to HEMINGWAY'S CORRESPONDENCE SCHOOLS, P.O. Box 316, Auckland. ► ECOME A QUALIFIED CHEMIST. bur system of Class or Correspondence Tuition makes the study Interesting and obviates the difficulty. ' SECTION A—English, Arithmetic, Science, and Botany. SECTION B—Organic, Inorganic, Theoretical and Practical Chemistry, and Botany. Practice of Pharmacy and a Simplified Course of Pharmaceutical Latin and Prescription Reading. Write for furl information and advice to — NEW 2BALAND .■ CORRESPONDENCE SCHOOLS. ■ (incorporating Metropolitan and Maoriland Colleges), 141 ColwiH's Chambers, Swanston street, Auckland. P.O. Box 50. H 4693—5 IIGB Y • 6 L/ I G 8 Y'J COMMERCIAL SCHOOL, HALLENSTEIN'S BUILDINGS (opp. D.1.C.). School Curriculum includes: COMMERCIAL EDUCATlON—Shorthand, Typewriting, Bookkeeping, English, etc. COACHING for Matriculation, Public Service; Accountants' Preliminary, Pharmacy, 68. Proficiency, and all University Entrance and Teachers' Examinations. , PREPARATION for all Bookkeeping Examinations. Full Particulars on Application. Term Commences at Any Time. Day and Evening Classes. DIGBY'S COMMERCIAL SCHOOL, Hallenstein's Buildings, opp. D.1.0. » Telephone 1537. D 3061—1 HE STUDIO SCHOOL OF DANCING. MADELINE VYNER, Late of the Russian Ballet, pupil of Princess Seraphine Astafieva, and IRIS MONTGOMERY. Member of the Association of Operatic Dancing of Great Britain, pupil of Eaplnoea and Josephine Bradley (ballroom dancing). OPERATIC. OHaRAOTER, AND BALLROOM DANCING. Pupils trained for atage and competitions. CLASSES BEGIN TUESDAY, FEB. 23rd. STUDIO: BOWRON'S BUILDINGS, 163 Manchester street. 58934 MRS J. HULME (Eva Moore), Late J. C. Williamson's Leading Lady, Producer, Ballet Mistress TRANCING in EVERY BRANCH. AdJ vanced pupils reoom mended for Metropolitan *•"---' - '•» a—!—-i. • let with "la Barre," and Ballroom. Studio, 115 Worcester atreet. Ballet Shoes essential. H 4713 RANGING AND DEPORTMENT MISS MARGERY MYERS, Pupil of Espinosa, London, RESUMES TEACHING from MARCH Bth. Operatic. Character and Modern Ballroom Dancing, including Charleston. New Parisian Tango, and Latest Foxtrots. Studio: 49 Salisbury atreet W. At borne Wednesday and Friday Afternoons. Evening Glasses Forming. M 7116 DANCING, Deportment. Calisthenio Exercises.—Undei Boyai and Vice-Regal patronage. MISS LOWE resumes Classes from March loth. Evening Classes forming Fox-trot, Waltz, or One-Step taught in three private lessons. At home Friday after- . noons. HISS LOWE, SI Worcester et. W. L 4720