Thank you for correcting the text in this article. Your corrections improve Papers Past searches for everyone. See the latest corrections.

This article contains searchable text which was automatically generated and may contain errors. Join the community and correct any errors you spot to help us improve Papers Past.

Article image
Article image
Article image
Article image
Article image
Article image

FULLERS' OPERA HOUSE.

"TUb Kight Club," iho litcet revue oftho Ootge Storey lievao Compsnr, is a blight and brecsy profluctioti, vrilh dfcinty ballets and pitting songs. The mtin com«<ii»a is a« Pinny 4a 6V-ir, *ad that is laying a great do*'. Straight vaudeville atli»U» on tba bill ate Walter Vernon, singing v«n---tril<*juißt, MSrcua aid d'Arma, good vaudft■villa duo, D*inty Dudleys. first-clAss entcttain«rfl, and G«o. Edwards »nd Co. ia » sketch, "Hoatytaoon Comfewioaa."

QUEEN'S THEATRE. "DON'T CALL IT LOVE," FEATURING JACK HOLT. AGXE3 ATRES AND 2s IT A XAX.DI. Surprises come in roid succession -n. William de Xlille's productions, an Paramount picture, "Don't Cai! It ove ' * no exception to iho rule. "With - > Jack Holt nrd Nita X&ldi in the principal roles tii 3 iiim should provo most p°?u * xthen screened at the Queen s Tueatre o Monday. The story., as adapted from Julian Street's novel, "Kita Coventry," is one ot a wealthy New York bachelor, ton ':, his love for a, .charming and sensitlo yooag weeian, and his infatuation ' prima donna. Tiring o. tho : - ' a i] o ivg Holt, ill the role of Ilichard -f" 1 ' !• ft himself to be completely swept off h a by KiU Coventry, superbly fuU Naldi. How this story ftt a. rapid rale fciid the ol Jj Co . mo f >. \>iefnro triaiiglo ia beautifully toid in p and makes splendid ectortainmcri . usual in Paramount society produ • elating* and settings are rcaily m«!p: while the droaeaa worn, by Mes ar Colourful and vivid is with the explanatory «üb-tyUe, °\ Boa Island," a Goldwya pKture v.h'cb wU bo tho second nttriction. Featured ■« fine production ie Antonio ltolino Btarko and House Peters. Of special in tercet is the fact that this production was Ed Tn the actual locale of the btoy tho entire company being to Tahiti ior the purpose. As a result Ulft ( .f' W °° r d thcao arc real and strikingly beautiful, and tnese have been enhanced by esq'uisnte P • graph*-. The story i« red-blooded and eon cerns the quest of a eea captain in the A* away cornere of tho eartj. wO tin and Child, who v.-ero missing: *h on bo £ turned from a voyage. A icitinn « production is a ftght between r in which several hundred iiaL'.csof one tribe cross a lagoon in their and give battle to another J^stcry ssg& ss.zrzx[ Stan. Laurel, the latest Paramount Garotte nT ,,] „ Burton Holmes Travelogue. A smi kble programme of incidental inusio will b played by the Queens oiches.ra.

Permanent link to this item

https://paperspast.natlib.govt.nz/newspapers/CHP19240726.2.45

Bibliographic details

Press, Volume LX, Issue 18135, 26 July 1924, Page 9

Word Count
408

FULLERS' OPERA HOUSE. Press, Volume LX, Issue 18135, 26 July 1924, Page 9

FULLERS' OPERA HOUSE. Press, Volume LX, Issue 18135, 26 July 1924, Page 9

Help

Log in or create a Papers Past website account

Use your Papers Past website account to correct newspaper text.

By creating and using this account you agree to our terms of use.

Log in with RealMe®

If you’ve used a RealMe login somewhere else, you can use it here too. If you don’t already have a username and password, just click Log in and you can choose to create one.


Log in again to continue your work

Your session has expired.

Log in again with RealMe®


Alert