Page 17 Advertisements Column 1

Auckland Star, Volume LIX, Issue 23, 28 January 1928, Page 17

5515 1 ItoMt you. play me >dOTrtethutG?~\^ SSES=mm Page " J I AU Rights Reserved \J —you can without knowing a note Irr • (§ \ °f mus i c > with the Qulbransen! J |fljj|^f®] 1 m V \ Jl No longer must you reply helplessly: 44 I'm sorry, I don't m . Pl ft y- No longer need you think what a joy it would be if Jm onl Y y° u could! As by a magician's spell the Gulbransen RegisI tering Piano sweeps away every barrier between you and the \ir delights—the ecstacies —of self-expression in music. ||| — So simple is the Gulbransen that you can learn to play it in ten minutes— *%w^ and play anything you like. "Come!" says the beautiful instrument to you: rpi q * — A —What will you have? The pathos of an old love song, the merry music of a beCYet Of frStt ffilßlft dance, the overture to a famous opera, or the solemn strains of a Beethoven mass? TflC GulbfCffiSen YoiiTS — j|ifl lam key to the music of all times and all countries. Try me—and see!" T 1 t It is the unique registering device OU 1 dTIIS 1 D ° eS tJlis sound like an exaggeration? It is not. Thousands of people— you such musicianly"co^roT a .mall ca.h payment will bring th« people to whom sheet music is no more than black marks on white paper—play the melody you draw from it. Gulbr*n»en Registering Piano to your Golden Opinions Gulbransen easily and inspiringly. And you can do the same. The Gulbransen —. ° n the Gulbransen Registering home - Price * »■«« from £165 - of Purchasers: gives yoU comp,ete control over the mu » ic 39 no ° ther -Maying piano can. yr°ch y 00 u s e c -£ y s ZZTSZZ * Read on and we will tell you why. or both together — and play them with > ber ' to °* tliat we will make y° u an 23/1/28. Frankton June. your Touch, as in playing by hand. allowance for your present piano. "We have given the Gulbransen , Y ° U Can . pla y a P iano sol ° cor * Registering Piano a. evere trial during i—* ______ M A rectly, accent,ng the melody or the Writ* fnr the twelve months it has been in our chords. lOU Can pl«*y dance ITlUsic in ™ I |Ol possession. We are very pleased in- mlmzM**'*' A perfect time and rhythm. 17 17 I^l deed with it; it has quite exceeded our Personal touch — selective touch 01&€TT expectations."—H.G. — self-expression — this control of 19/12/26 DevonDort e X s . as in playing by hand that is " you cannot e *M at our Show-room , the m , issing art that A - G - Gulbransen " d h * ve the RegUtering "We are very delighted with the - -- Contributed to roll playing. Piano demonstrated to you, write to Gulbransen Piano. It has brought us '® r ' ree folder and full particulars. many a happy hour into our home. But if you are within reach of the city All our friends think it is a beautiful > . ■ « .. . _j _ _ - i rj . . i come in and let us show you how easy instrument. The* Music Rolls have ' "IT* T Wl OITl* II 'I I f M JJ I -.(* I 1" T Ff if Tisf la 1 t ' le Gulbraixsen is to play and how always been satisfactory."—G.O. ' I 11 llf 1 I v I*r pj — -Sli. different from ordinary player-pianos. 1 MUSICAL EDUCATION 1 E e S^ I I " Music is a necessary part of Education " II»II It II ■■; 11.11 it xi: 11II«»11«n lIH *][n11:t o:i x:::: i: it nn x i:* ji j * i.)..... .1 if "A 1928 DieSSage from Drilleigh College" ij To those who CANNOT play or sing we say, "Learn to do so." Why? Because good -ffl ««»««««»,»,.,»«»»»»„ » v - s r mjj music is one of Life's greatest treasures. flf (PaKJnr. f| - + "'•'*•' • '! To those who DO play and CAN sing, we say, "Learn to do it BETTER." And why, jjf ' ~ rT: - " 3 technique, tone, style, and interpretation are easy to attain by the ' m MtUtic' lDEAL 1 • fi BEHI tukion the help they are earnestly seeking—because J||| * -t; Why should you go abroad to seek what is already here? m ''£**&iv. : -We shall open a secret treasure house to you. Class tuition in Violin, Piano and Singing from illThe key is in your own hand. one guinea per term. Private lessons by TTT We offer Constructive, Clear, Vital Tuition in arrangement. 11 Violin, Piano, Singing, Theory and You may arrange for a TRIAL* TERM of I Harmony. which will to ml - Under the personal supervision of Mr. B. A. thoroughly test not only your OWN talent, zzr Truebridge. who is widely recognised as one b . ut I s ' a ? d s, r °. of efficienc 7 maintained by jil "' The WorldV Greatest Violinist—and only 25! of the greatest teachers of the day! the Drule.gh College of Mus.cal Tuition. iffJascha Heifitz. n„ Your musical studies will become an inspira- Booklets upon musical subjects will be posted mf ' Master of the Piano: lgnaz Friedman. tion and a joy under the authoritative guidance upon application. WRITE, CALL or PHONE rTTT Successful N.Z. Artists Ahmad ~ .iM.T™b«d„. i.i.l—•■„ tmm^ilWXCuiilcimilli ««— DRULEIGH COTTFfiF FRANCES ALDA .. . Soprano LsLsLSJ J. J VJLLDVjL -The Amb „ G]ow » Walti, by Walter Impett. JOHN AMADIO ...World's Greatest Flautist Tasman Buildings - - Anzac Avenue. Auckland !'■■ "Pour Vous" a Tone Poem for the Piano. ROBERT GEDDES.. Tenor „ . t by Sidney Hawes. SHAYLE GARDNER Dramatic Monologuist f "Butterflies" Fantasy for Violin, by Gerald Barr. 'One & Two & Three & Four!' |||i|' ' 1 «hhhsSS^ o^L H thJg™e„ p «hero ! "r"^' 7 ft Memories That Waken I wonJpr tk«, u u/cor , t] >, Probably the greatest word upon which the world's industries, THEY should K, matmt y more f ?, rtun^ te> " 1 can>t play. f li~ ■ pleasures, artistic attainments and home keeping depend is that asked to kI 6 . MA °5 ? C P rac V Se , is their to-day when simple little one, " HARMONY." With it, worlds «n be conontnbute toward the evening s amusement. quered, progress can be achieved, happiness can be procured. "S t'J.I & i< S.I a.~, d.,.0,d i J|UUc^HHh lashed th OT to tL leTof ,he in«n lJk .iT k t.kfijj7 »u„cal gemm may be |:, }| all as a vital necessity. It is abused by many, and it is forgotten and stood over them with a whipT ° so casihj cram P ed b !f U| J frequently by all! of theTHEYS w° U 'u K e indu ? d lo ASK for the,difficulties ZZg wasmo^T"eeWn^iXr^ 0m ° Te , hom ' ,ife - There or the IHLYS would be greatly overcome Let a child a h™, - * v ° was more getting together in the family, and more sweet intiUful instrument and hear good music, md £ k Ita it instrument. You guard BI macy. Boys and girls gathered about the piano. Songs were sung would be only as a very GREAT privilege that it coilld be taught against one of these hy each member, or in concert. Families stayed united. They music, and it would RUSH it. Drive them to it and vour own risks when - stayed in harmony with themselves. Their pleasures were in their worn out nerves and their bad tempers result ° Wn homcs and in ca <* other. All musical students especially in the ** small vmt« " «L n ,,lJ u_ i? Fathers and mothers watched them with pride and joy. Someencouraged by being taken to hear ereat musical magtprc W#. Vlft fC O /tw _ tames it was a tired Father and a weary Mother. But the pride in t P T£ U wolfd f ° rtUnate in Zealand iate ly. and shall be more —¥ k >11 TfA t T musical attainment, however amateur. ,vas exultant, so. lhe world is not as wide as it once was an#! ite mi»iV anrl f* I I ¥ \ |\T A\ / /9m M ft M /WW \° r the progression of any nation, Family Life, as it was in the interpreters are coming surely towards us. Jill |\| \X/A I /jfv rCC ° gnised C ° de ° f aU peo P le - A little patience on the part of any student, and the hateful " One. A tJ/U/ Let us get back to those days and revive those pleasant gatherings J 1 "" 6 ' k° Ur Will become a friendly quartet of helpers instrumentOf the ImWlOrtalS OJ* whftona clear night strains of music could be heard h**n each ssisting him or her toward what may one dav be an enviable cheenly lit home and happy voices rose in chorus encouraging threer GRANDS, UPRIGHTS AND — KARANGAHAPE ROAD simple great happiness of home life in the breast of each boy an REPRODUCING PLAYER PIANOS B* r K starting out in Life upon The Great Adventure!