AMUSEMENTS.

Auckland Star, Volume LIII, Issue 301, 20 December 1922, Page 3

AMUSEMENTS.

"THE RUBAIYAT OF OMAR KHATYAII." AT THE NATIONAL. Omar Khayyam, his philosophy, his Perelau oLd-woriJ atmosphere, the languorous glamour of the Eaet have been translated to the screen. The lilm will be seen here to-morrow at the National under the auspices of "Selected Super Films Exthe new Australla-'Nevr Zealand Film Exchange Organisation. From descriptions it appears that the producer of "The Robalyat" has caught the Inspiration of the Osi-ar A»che school of setting his sceDes in exquisite cameos. "Keeland -Reviews," perhaps the one single thoroughly independent organ of film criticism in all the Cnited States, describes the fllired "Rubalyat" is "a thin? of beauty tha: ■will make new friends for the motion picture—a picture of rare masmlfieenee." "WU'i Dally." anotier reliable American film review, saj* that the picture "1r vithout doubt tbe most artistic and magnticent picture ever made." Seats may be reserved at Lewis R. Eady and Son, Ltd. AMUSEMEHIS GUIDE. CPERA HOUSE—Fuller's Vaudeville Uβ Revue. "Sunny Japan." KIB MAJESTY'S—NeIIie Bramley's Dr«matlc Company in "The Land of Promise." DIXIELAND CABARET —Zoo niontn. RUSH MUNRO'S CABARET—Jazz Dancmr PICTURE THEATRES. NATIONAL —-Alice Brady in "At tne Mercy or Men," and Marie Prevost In "Tiie Married Flapper." STRAND— Betly Blytbe In "Fair Lady." HIPPODROME—Tom Mix in "The Figbtlns Streak." TIVOLI —Ethel Clayton in "For the Defence," and Alice Brady In "The Land or Hope." PRINCESS —Betty Compson In "The Woman and the Law," and Mary Miles Mlnter In "Eyes or the Heart." GRAND —William Duncan and Edith Johnson In "Steelheart." EVERYBODY'S—Marie Prevost in " The Married Flapper " and Alice" Brady in " The Mercy or Men." LYRlC—Hobart Bosworth In "Tbe Seg Lion." QUEEN'S —"Money Changes," and W. S. Hart in "Helf's Hlngres. , ' WEST END —"House or the Telling Bell." BROADWAYBRITANNIA—"The - Man or the Forest." EMPRESS—"The Place of Honour."