ROYAL COMIC OPERA COMPANY. Direction .. J. C. WILLIAMSON, LTD. PROVINCIAL TOUR. GISBORNE, January 12, 13, 14, 15— Gipsy Love, Paul Jones, Ma Mie Rosette, The Dancing Mistress. NAPIER, January 17, 18 —Gipsy Love, Paul Jones. HASTINGS, January 19—Gipsy Love. PALMERSTON NORTH, January 20 — Gipsy Love. THE BOX PLANS will be Opened in each town at usual places THREE DAYS previous to date of Performance. ppS rpHEATRE. AUCKLAND. Direction . . J. C. WILLIAMSON, LTD. UNPRECEDENTED MUSICAL ATTRACTION. J. C. WILLIAMSON, LTD. Present THE FAMOUS ROYAL COMIC OPERA' COMPANY. TO-NIGHT (WEDNESDAY), LAST NIGHT. LAST NIGHT. The Phenomenally Successful Comic Opera now Packing the Theatre to Capacity. GIPSY LOVE. GIPSY LOVE. GIPSY LOVE. THURSDAY AND FRIDAY. Magn.ficent Popular Revival of the Wildfire Musical Play, OUR IVSiSS GIBBS. OUR MISS GIBBS. OUR MISS GIBBS. Another Notable Revival. SATURDAY AND MONDAY NEXT, PAUL JONES. PAUL JONES. PAUL JONES. BOX PLAN FOR SEASON now open at Wildman and Arey’s. Pi ices as usual.
SHORTHAND IN THIRTY DAYS. BOYD SHORTHAND can be learnt in 30 days. There is now no need to waste months learning Shorthand. BOYD SHORTHAND has no shading or grammalogues. BOYD SHORTHAND is built up on Syllables. BOYD SHORTHAND has only three Rules. BOYD SHORTHAND WILL BE ACCEPTED FOR PUBLIC SERVICE EXAMINATIONS. BOYD SHORTHAND can be learnt in your spare time at home. Call or Write for Booklet LI, fully explaining the System. BOYD COBBESPONDENCE SCHOOLS (N.Z.), 100, CUSTOMHOUSE QUAY, WELLINGTON. ALHAMBRA BILLIARD ROOM, ESK STREET. INVERCARGILL. (Next Deschler’s Hotel),. Six First-class Tables all in tip-top playing order. Well fitted up room for Sporting Clubs free of charge including lighting and firing. GORDON SCANDRETT .. Proprietor.
Permanent link to this item
https://paperspast.natlib.govt.nz/periodicals/NZISDR19151230.2.63.2
Bibliographic details
New Zealand Illustrated Sporting & Dramatic Review, Issue 1340, 30 December 1915, Page 35
Word Count
270Page 35 Advertisements Column 2 New Zealand Illustrated Sporting & Dramatic Review, Issue 1340, 30 December 1915, Page 35
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Acknowledgements
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