HIS MAJESTY’S THEATRE.

New Zealand Illustrated Sporting & Dramatic Review, Volume XIII, Issue 786, 30 March 1905, Page 18

HIS MAJESTY’S THEATRE.

“ THE BROKEN MELODY.” The Van Biene drama was looked forward to with more than ordinary interest. It was felt that we were to witness a production of a character entirely novel to Auckland. The result is a complete endorsement of the favourable verdict recorded wherever Mr Van Biene has appeared. The drama, apart altogether from the contributions of the great artist, is one of absorbing interest, and is presented in a manner that leaves room for nothing but the heartiest praise. Over the exposition of strong emotional character Mr Van Biene himself possesses an easy mastery. It is obvious that he has completely identified himself with the part of Paul Borinski, the composer, who is deserted by his loved wife in the hour of his triumph through the machinations of a duchess who has fallen under his fascination. The plot has already been given. Miss Burnleigh, sustains the part of the wronged wife with great power, and the part of the duchess is a signal success in the hands of Miss Marie Rignold. Mr Horace Lingard gives a delightful study of a loud and vulgar theatrical manager. Mr Ludlow makes a completely effective Russian prince, and the other characters are filled with distinction by the rest of the company. But the ’cello interludes of Mr Van Biene, exquisite and brilliant as they are, and characterised by every merit, form the chief attraction. A string of eulogies is not needed The musician has long been acknowledged to be the supreme master of this instrument, and it is safe to say that his selections here—changed every evening—-

have been received with quite extraordinary manifestations of enthusiasm. I would remind all lovers of music, and of the best in dramatic art, that the season is a very short one, and closes on Saturday.