This eBook is a reproduction produced by the National Library of New Zealand from source material that we believe has no known copyright. Additional physical and digital editions are available from the National Library of New Zealand.
EPUB ISBN: 978-0-908328-88-8
PDF ISBN: 978-0-908331-84-0
The original publication details are as follows:
Title: Man on a raft: more poems
Author: Hervey, J. R. (John Russell)
Published: Caxton Press, Christchurch, N.Z., 1949
THE CAXTON POETS: No. 4
MAN ON A RAFT
By the same Author:
SELECTED POEMS
CAXTON PRESS 1940
NEW POEMS
CAXTON PRESS 1942
MAN ON A RAFT
More Poems
by 1 R. HERVEY
CHRISTCHURCH
THE CAXTON PRESS
1949
Acknowledgments are made to the following publications in which certain of these poems appeared:
(Dunedin), Poetry (Australia), Book (Caxton Press).
Sydney Bulletin, New Zealand Listener, New Zealand Observer, New Zealand New Writing, Evening Star
PRINTED AT THE CAXTON PRESS
CHRISTCHURCH NEW ZEALAND
JULY 1949
TO MY WIFE
CONTENTS
PAGE
Man on a Raft 11
The Opened Door 12
No Return 12
Other Worlds 13
We Look for the Footmarks 13
Adolescence 14
When the Morning Came 15
Mussolini 15
Country Cemetery 16
Hills 17
Mountain 17
Not Till Love Asks 18
This is not Folly 19
Newcomer 19
My Son 20
Shakespeare 20
House of Life 21
Unreported 22
Neighbour 22
John Donne’s Defiance 23
The Land Gave 25
The Empty Valley 25
The Watcher 26
Again Spring 27
PAGE
How Should a Ghost be Dancing? 27
Arrival 28
It Was Not So 29
Hirohito 29
Out of a Clear Sky 30
The Miracle of the Musk 31
Atomic Energy 31
Displaced Persons 32
Love is the Season 33
Address to Dante 33
The Old Year Remains 34
Plans to Exploit the Antarctic 35
Nightflight 35
This is not the Man 36
Baboushka 37
Poet to the Unborn 40
The Planners 40
Alone 41
Tatterdemalion 42
I Have Made Friends With Time 42
No Plain Path 43
Leaves 44
Out of the Murk 44
Renouncement 45
Shaping the Future 46
MAN ON A RAFT
IS'ot out of the war, not out of the agitated
House of life and wearing the brand of love,
He is yet no more than the diving bird between V ave and wave.
Only one is near, only one regards, death,
In the stare of the sky, in the cold watch of water:
And who but death trundles the eccentric tov,
The dancing timber.
But always he skirted the vortex of disaster,
For the crazy earth carried him and lost him
Among the witless stars and hostile calms,
Smothering knowledge.
His days have sickened in the heavy perfume
Of death hanging a flower on every season:
His hope has stumbled over crooked stones,
Pretending sleep.
Where shall be his landfall who resigns
The rudder, whose hands, twin-gods of deiign,
Are but fists that threaten doom and beat like flowers
On the iron doors?
Yet the rag at the mast was valid, it persuaded
The clean prow of love, and the man on the raft
Climbed to the assured deck, the rational voyage,
Drowning fear.
11
THE OPENED DOOR
Released like a spring from the rock.
Loosed to a careless freedom
Their laughters sprang on the dark
From the suddenly opened door.
Folly broke from the house
Swinging a wild bauble
In the pondering face of night,
The dire face of Dante.
How deep lie the roots of mirth,
Will they hold when death blows:
Breaking from the door will laughter
Silver the mood of the grave?
NO RETURN
My step would go back never
To the high road where day sings on forever-
Though age is colder,
Wisdom 1 carry captive on my shoulder.
No turning would I take
Back to the stunted playground,
Nor hazard hell
From the sly depths of the precarious wishing-well.
I ask no dainty sleep
Floral with vision through which the dancers leap:
I would not wake to find
Parade of pleasures in the mind.
Here I have found
The porch that hears no persuasions, the stable ground
My day is the dreamless herb, is silence
Smoothing away a curse,
Coo], dispassionate as a nurse.
12
OTHER WORLDS
The world is not a world but worlds, we inhabit
The obvious rock and the flaunting green but also
We live in a love, in a dream, in the total vision
The poet builds like a god, and we have our dwelling
On the stern slopes of faith.
Not once were we born,
But passing through winds and delaying circumstance
We slid to birth into a more logical sphere
Where the forms shone with permanence and where time
Scattered no death.
And there we walked easily.
Having come to our heritage and knowing that this
Was the authentic air of the spirit and not again
Would fear break from the woeful thickets of earth.
WE LOOK FOR THE FOOTMARKS
Not as the shepherds we came with faces frank
From the starlight,
And with minds washed
In the song of wonder.
The skies over Bethlehem had not
Schooled us to peace,
Nor the camel bells of the wise men
Detained us from folly.
The sheep and the oxen
Were the mild-eyed simplicities,
~j „ u r " -■■■■» But that small voice foundered
In the surge of our pride.
13
With what shall we furnish
Love's house, what caskets open?
Have we no gifts but these,
The naked enmities'.''
Bethlehem was a town dreaming
On the fringes, a town by-passed:
Bethlehem was a light story
Blown across the day.
But now we look for the footmarks
Of the shepherds, having put on
The sandals of humility and surrendered
To the staff of pilgrimage.
ADOLESCENCE
Cries of childhood confound
The new hour, the austere ground.
Fingertips still feel
The soft fancies, the darting moods,
But explore also
The man severe as steel.
He is of two worlds
Who in one hand folds
A flower and in the other
The dreadful charter holds.
The sun was his fire,
Shepherding his growth, his desire,
But by a flame more imperative than it
Within he is lit.
So that he sees
New playgrounds, and his dreams discover
The profile of the lover.
14
WHEN THE MORNING CAME
(Written on the occasion of my wife undertaking an hazardous voyage)
Only once did the sea assume
The face of doom:
Only once made its immense
Resolve against my lover’s light defence.
The wind whispered against my hope,
The fretful rain
Recited its cold prophecy of pain.
But I sent out my prayer that swept
Like the wing of a gull the guilty wave,
And upon the waking anger fell the testimony
Of my songs shining with the pre-eminence of the sea.
When the morning came, touching me like a friend,
I knew that a ship glittered out of the grief,
And that our love outbraving the brief
Scowl of hazard had brought
A dream of death to its end.
MUSSOLINI
The sun each morning gave the land to him,
A private garden where his impulse strayed;
His eye was king, his glance a sword, his walk
The march of fate, and all his heavy words
Fell like the stern approaches of the storm.
No satisfactions calmed the eyes of one
Who looked beyond the servile lights, beyond
The flags protesting honour, beyond the hands
Whose rapt salute hemmed him with loyalty,
For in that breast of stone were clamouring prides
And pa93ions bred to stride the world for empire.
15
His head rang with a fury of steel, his vision
Was dark with smoke, his longing leapt beyond
The soft detentions of love —that he might lie
In warm surrenders of the scornful lands.
But death was in the thought, death stalked him through
The maze of his design, and followed him
Over a path of flowers sharing the grave
Gesture of banners, and death went with him
Under the arches of triumph; but death only
Was victor, leaving unquestioned the sharp acclaim,
And printing no premature shadow on the day.
Now death it is that's honoured when the chime
Is that of the chain, and the only shout is hate
Girding a gallows, and one obscene surrender,
A head hanging towards the untroubled earth.
COUNTRY CEMETERY
Here is no argument between death and life,
These stones are not the arrogance of dust,
No massive denial of the dance of hope.
The thunder of the pipes of death does not
Threaten the skylarks in their ringing empire:
The face of death staring out of the green
Is one with all the earth's benevolence.
22
HILLS
Hushed with memories the hills
Preserve their countenance, make much of
Sleep that outwears
The passionate histories.
Bare of loyalties they attain
The Buddhist dream, the clear Nirvana:
() eyes of generations tempered
By hills to a classic toleration:
This is the tall prophet whose bland
Gesture stays the agitated land.
I through whom storms the event,
1 dragged by the maternalism of time.
Will look up to the hills whose peace
Is of the world's morning, their indifference
Will quieten me like death till I am aware Of eternity calling from forgotten waters.
MOUNTAIN
I turn away from
The mountain that wears no bloom of kindness,
It strikes the day with its sword of resolution.
Its image
Is too vital for me, commands tne out of
My fragile reverie.
Save us from mountain men
\\ hose shoulders divide the elouds.
Beyond my window their strength stands
I npersuadablc, but over my sleep
Their shadow is lead, when my two hands
Are idle doves their fingers
Contrive a cage of destiny.
17
NOT TILL LOVE ASKS
You who complain of winter and remember only
Spring as the specimen of life, ask yourselves now
What winter could so chill the caress of comfort,
So successfully hunt our slender, hidden loves,
As war laying its hand on the thing devoted?
And spring is not yet, nor the song of the bells pining;
But friendship with fear, alliance with flinty death,
And age fumbles with a past like a broken doll
And youth demands as normal the doctored wine.
The children have never laughed in the pool of summer,
But they asked for a specimen of life and this was given—
They expect like a giant thief the thudding darkness;
Their faces, ignorant of the sun, are a winter of tears.
The day will not change, nor the season moderate,
Though the bells assert a brazen victory,
For a passion breeds in our bones and a winter blows
From the iced heart, and the man of terror reels
From the cave of thought and the amiable council-fire.
Not till love asks: what are the roots that roam?
And the poisoned wells are uncovered and the prim facades
Crash at the sun's inquiry. The alert spring
Waits but for these; and peace, the loitering stranger,
Seeks a wide heart for housing. The late-comer will
Lie down where no fear moans between the walls.
24
THIS IS NOT FOLLY
This is not folly, breaking out of the inn Of Christmas to flaunt a song in the face of life,
For there are moods creeping upon the world To tear the heart in the fenceless time of trust.
Therefore be strong from that fount of fantasy,
And feel your hope like a handclasp, fronting the night With the assurance of waking bells though the stars sleep.
NEWCOMER
(To A.C.—3 weeks old)
Out of the sleep that spun no dream,
Out of the dark that was kindness,
Giving nothing, to you discovering
No country, folding you in the content of blindness-
You have come, and the world sheers up
Like a wave, like a white mountain wall:
To you the living clouds give themselves, the cup
Of the sky tips rapture, and the birds
With anxious songs build festival.
You have come to the grief of twilight,
And to the perilous dawn:
You have strayed among winters weeping snow
But you have stumbled
On beauty by which
The primacy of the thorn is humbled.
You have lifted
The latch of love's house—
0, you shall he gifted
A sovereignty, and richer than rain fructifying the years,
Your tears, your tears.
25
MY SON
You will take roads that 1 have not taken,
You will walk in a country I have not sung:
By a strange event your day will he shaken,
New edicts on the wall of tomorrow be hung.
You will see new wonders stalking, wonders
Now shaping in the womb of a dream:
You will he alert when time thunders
Over my sleep its latest theme
Against the world's unpierced dilemma
You will see the new offensives leaping:
You will know what Change, the tall contemner,
Snatches from earth's infatuate keeping.
But I shall not stand with you, not see
The earth refreshed with revelation,
For in the blind cell of destiny
Time nods me to mv narrow station.
SHAKESPEARE
He is the fool who travels with the earth,
The guest of generations, his motley flames
V pon the night of fear, his laughter rolls
On pillared prides and confident facades.
He is the man forever at the gate,
And who shall pass this wisdom and he pure?
Not he the beggar hut nations who reeeive
Their moiety again -t slow inanition.
While Shakespeare rides the world and prospers it
We shall not polish in the moody pit.
26
HOUSE OF LIFE
I came to a house
Gnawed by corruption yet heeding not
The cunning rot —
A house which flung up a wall
Like a mirror in which the morning discovered
Its gold, a wall that thrashed
Even the iniquity of storms, guarding for a time
Lives blown about the wide and wasting floors.
There I saw only
Faces that could never dismiss
The original surprise:
Not solved, not illusory,
The clanking secret rivetted to feet.
Questions flew about like birds
Maddened by wire and sleep falling
Like a blanket could not subdue
The heart calling.
A child of laughter ran through that house,
And song was a sudden incandescence:
And there were hand- that (hooped heavy
With harvest, hut no pretence
Of fulfilment dulled those faces.
1 watched until the withering of age —till one
Calling himself darkness announced the sun.
21
UNREPORTED
For him there was no escape alley, he could not discover
The way back to life. In ceremonial pain
He sank finding death a voracious lover.
Not in the news, no light of honour received him,
His name was no more than a whisper behind walls:
No reparation wrapped the wound that grieved him.
No one saw the freakish onset of circumstance,
Nor the instant of courage that flared out of the ash
When man alone met the hot eyes of chance.
No crier called the street, rumour repeated
Its barren repertoire, and gossip slept
Believing the black narrative completed.
But he was dear to the hand of oblivion,
Sedulously over his honour the dust was strewn:
Unreported a man went down like a sun.
NEIGHBOUR
He is a hat and coat
Disappearing through the abrupt gate
That delivers him from
The scald of scrutiny.
He is my neighbour, further
From my knowledge than those
At the world’s edge of whom
The record flows.
22
I cannot follow him where he
Goes through mute corridors and where
His desires are known to himself,
And shines his unshared ecstasy.
His pilgrimage through the dark house
Is over mountains, he is broken,
But the fence is final, not to me
The news is spoken.
JOHN DONNE’S DEFIANCE
(John Donne, poet, formerly libertine, and latterly Dean of St. Paul’s — 1621 —a short time before his death commissioned a portrait of himself in which he was to be represented standing upon an urn and wrapped in his own burial shroud.)
Now is the hour of the bell, now am I caught
Out of the war whose sullen stain I wear:
Yet must I first oppose the final malice
Of death to whom my wall’s a window inviting
His freezing stare on my enfeeblement.
My enemy has been a cloud confronting
The sun, has been a snake whose poison glittered
Over the environs of love, for in the midst
Of ecstasy even has this dismal horn
Usurped the hour, so that my sweets dissolved.
Turning to bitter the leniency of love.
The sensual night in which my joys appeared
As stars was still the night, and this life heavy
With satisfactions was but death dispensing
The sly draught of destruction. My song was fed,
No less than my desire, with casual loves,
But when these blew away like petals, remained
Oracular death loading the time with judgment.
29
I would not be taken by death in sleep, nor snatched
Out of an idle temper, but he must win
My body in battle, outwit the constant will:
Yet is the victory mine for every blow
But makes that prison to perish wherein the King,
My soul, awaits the august deliverance.
This room that reeks corruption, here have 1 laid
My strength away hut not athletic hope.
And 1 have drawn the curtains of repentance,
So that no loves may pry and pierce with guilt
The man now altogether bled of passion.
Christ, my Anchor, will hold this ship against
The urgent tide, and out of this lane of sorrow
Will God the Father bring me to broad estate:
Therefore I summon death that he may see
The front of ray faith, and know that the bell tolls
For him out of this clear and calm event.
Bring then the urn that prates of dust and I
Will stand upon it, setting my foot on fear,
And trampling stern pretences of the grave,
For He enables this boldness Whose feet were iron
On the snake's head, the tempter, sliming the ages.
Now lightly on arm 1 hear my heavy shroud
Thai ye may bind my body affixing knots
At head and foot like locks that cry forbiddance
To thought and life's decorous liberty:
But let my face be Been that its defiance
May arm the trembler dreaming dissolution.
So do I make an end. my portrait shall be
\ -coin of symbols advertising doom —
What a death is this life, and what a resurrection
This death, this fitful dark declaring light.
30
THE LAND GAVE
The land gave
The pattern, built the event
From these have I grown, for me was spent
The wind, the wave.
How should love go
Smoothing another soil
When the integrity of tin?, the harvest toil,
In me 1 know?
Could death even
Prune the possessive root,
Or in its blind internment loot
The earth-given?
THE EMPTY VALLEY
(If. B. 5 eats was possessed by a sense of the nearness of the unseen world. He would often excitedly ascribe a boy’s mere whistle or a passing step to supernatural agencies.)
Yeats could not walk in the disarming field without
Feeling at elbow spirit or devil,
Nor hear an idle shout
But be proclaimed a shred of ghostly revel.
If but the countryman, he said,
Had the keen ear and eagle sight
Of Swedenborg he would hear the noise
Of swords in the empty valley—shall we go at the side
Of the poet and mingle
With inarches of spirit or stand
With the countryman who sees as single
The abundant land?
25
This beauty shall be my love, I shall not ask
If nature be an ineffectual mask
Through which death-chastened eyes
Persuade the wise,
I shall not look to left or right
For a cold companion nor suspect the night,
Nor regard the rally
Of irrelevant swords —
What so replete as the empty valley?
THE WATCHER
Marooned here on the margin I see
Trees that are content
To let the winds make free
With them even to ecstasy.
The cattle go
In sunlight, seeming not to know
How skies can go black, the throat be torn
Though surrounded by the innocence of corn.
But thoughts, with a longer range than eyes,
Are aware of other fields whose cries
Celebrate no summer, whose green
Blood has hastened into an autumn scene.
I am the watcher whose tower
Of solitude looks on life and death:
But I see hope that was blinded
Walking free again in the earlli and beauty
Breathing resurrection into ruin.
32
AGAIN SPRING
The iron that winter has left in me shall not
Long repel the overtures of spring,
For I feel in my breast the proud night collapsing
And storms like winded hounds fainting and dying.
I who have come so far, never escaping
The battering speech and winter's woeful breath,
See now dissolve the glacial memories,
And spring, crowned, mounting the mercy seat.
Out of the soil and sky unerring loves
Beset my door and joy comes at a stride:
This is the spring in me, a new song marching,
And hope laughing out of an ambuscade.
HOW SHOULD A GHOST BE DANCING?
My ghost went down the world's way
Looking for this and that,
But the landscape like a lady
Left nothing to wonder at.
The landscape like a lady
Who had paid her pledge to time
Could not be a poet’s mistress
Giving a wealthy rhyme.
For the grave’s cordial window
Had flourished a good complete—
How should a ghost be dancing
In this dejected street?
33
ARRIVAL
{To Paula, in celebration of her birth)
I bis is the one arrival
That runs not into rest:
Birth breaks the eel] of slumber
And throws tu on the quest.
May love defend, unmask
The malice of the wav,
And brave be your journey
Through a surprising day.
What though the leisured clouds
Hold back the eager light'.'
Go, carry in your heart
The songs that quell the night.
Already the sun is caught
In tangles of your hair —
Go, match your shining mood
Against the frown of care,
Let love be your tune, let wonder
Wake you to beauty flowing.
And from vour rich arrival
Golden shall be your going.
34
IT WAS NOT SO
He fears for the young generation, his armchair throne
Confronts the cloudless eye, the face that subdues
New territories. He sees those limbs as stained
From baths of passion, hands as outlaws. It was not
So in my day when towards the sedate goal
Youth marched despising the devil's window display.
But the man at anchor, the man becalmed forgets
The wind that ruled him, seas in which he went
I nder the shouting wave, forgets the blood
W recking resolve and dreams that looked like galleons
Turning to black slavers. His desire
Drummed at flood level, but todav's dry watercourse
Denies excess, the pulse consenting to passion.
HIROHITO
(Written on the occasion of the Emperor of Japan disclaiming his divinity)
Always the voices about me crying.
A god! A god!
Never the candles dving
From the altar place:
The ruthless gongs declaring
The light of heaven in my face.
The waves of worship flowed
Toward me, the air
Rippled with prayer:
It was then that the flattering incense
Drugged me into a -cnse of deity,
el I knew myself to be a man
And like another limped with infirmity.
35
They bowed, the people I could not know,
Expecting always the shining word.
But their hope, finding no warm Divinity
But only the wall of my mortality,
Fell like a broken bird.
But now I go down to them, having shaken
From me the hand of legend,
And I walk the free road
Never by Caesar taken.
Of my divinity all that remains
Is the vesture flung down before the shrine,
A strange and shrunken god that there must die
Defeated by the splendour of a Lie.
OUT OF A CLEAR SKY
I know that out of a clear sky
Will come the hailstone to stun
My garden that like a musing eye
Expected only the indulgence of the sun.
For long my blooms have lain
Pampered by the mild perfidious days,
But time shall finger his lance of pain,
Tremors shall mar the mouth of praise.
Death is the curtain of tears that falling
Closes this wan, impetuous play:
It is the forgotten silence calling,
The unseen shoulders the rock away.
36
THE MIRACLE OF THE MUSK
(The musk plant, which 20 years ago possessed a delightful perfume, has, in all parts of the world, quite unaccountably and almost miraculously, lost its scent. —From a broadcast talk.)
In the garden of earth
The musk that was kind
Has lost its scent, brings no smiles to birth
Is neutral, has declined
The side of the angels, is sour
Like a recluse hugging his lonely hour.
Shall the skylark refuse
The cycle of rapture
So that the song that could raise
The head of a man we lose
In legendary haze?
Let us guard love whose sweetness
Is unconfined, whose fleetness
Disperses the hunched sorrows;
For if love like the musk deliver
Its balm to oblivion it shall be said
Over the earth that love is dead.
ATOMIC ENERGY
We have expected surprises and events like arrows
In the valley of the future, and our eyes prepared
For the leap of the unknown and we knew that strange
Voices would call out of the heart of twilight.
But we knew that trees of home and paths of old
Would lead us there, and days like we have known
Would wrap us in their royalty bringing us to
Night and its unshaken ministries.
37
Now we have no confidence. Can we say
To-morrow will be as to-day and life surely
Yield to our key? As free men shall we walk,
Or bent and broken under the arch of power?
When the clouds acknowledge a new shepherd and when
The lime is driven to desperate goals we shall turn
To song like a sudden prophet pure from the fields
Affirming above our dismay the rule of love
Even against this new and stormy banner.
DISPLACED PERSONS
Like trees they stood behind a wall of contentment.
The winds knew them, the soil was obedient
To their devoted touch, the vear? found them
Always the bondmen to place, rooted with the rocks.
No vision raised them above the forbidding hills.
Ambition the incendiary spared their harvest of peace:
No highway to the world, but the gentle road*
Returned them to home, preserved the dear design.
But the anchor of their content could not withstand
The fiery storm and they were carried like dust
Across the world to rest in a field of pain.
In a hissing land whose stare was very death.
Bowed and dumb, lost in a thicket of hate.
How shall they find the way to the lap of home —
While on their shoulder heavy the stranger's hand.
How shall they keep iho olil appointment with joy?
38
LOVE IS THE SEASON
(Christmas, 1943)
Do not decry
j The feast bordered with laughter,
Nor the fool letting his words fly
Like frantic birds. Do not frown
Mischief out of the bell-bewitched town.
Do not interrupt even with vour tired thoughts
The old man in his ivied story:
Do none of these things lest you build a road-block
Against the progress of glory.
For love is the season,
And it will suffice
If by roads of unreason
And the friendly gate of mirth
Goodwill discover the lonely house of earth.
ADDRESS TO DANTE
When they saw you pass they surmised
A man whose physical eye 3 had been lashed by a vision
Of torment fixing on your face
A sorrow that was lord of all the eloquent sorrows.
We do not need your pen
Of passion or invective, we do not covet
The shining of your sword
Within our dusty wars, your political fury.
But we need to return to your face.
That grim instructor; come with your perfect sorrow
Against your old enemies,
Lust, the leopard, and the wolf that is never satisfied.
39
Come in the confidence of one
Who knows that the world from hell's victorious burning
May appeal to the hand of wisdom,
And to a Throne above the wrath of rulers.
Our day is no better than yours—
As you were exile from Florence so we are exile
By our own redoubtable appetites
From the Citv of cities where our hearts could be at home.
Bend your dark face
On us for that only is the sun of deliverance
Rend us with your reproach,
Frown us into a hell of self-revelation.
THE OLD YEAR REMAINS
Imagine not that midnight
Saw the old year in flight
Riding the bells to limbo.
That which passed was no more
Than a page the wind bore
Torn from a calendar.
For the year remains the year
That was hope, that was love, that was fear.
You may shake ofl the sudden hand
Of a stranger, but you may not disown
The year that nested with your bone.
It cannot leave you as you cannot leave yourself:
It has become you, for it was its dawns of dread.
-_ j —, .. __ Its heavy amorous nights, its whirling days
That left you as you are yet uncompleted
Till other years with sure and fateful fingers
Shall build in you the figure of hope or doom.
40
PLANS TO EXPLOIT THE ANTARCTIC
But I think that they were forbidden,
That this most private treasure
Was denied to them by that glistening death.
These are they whose pride
Stole the aloofness of
The forest, trod down the wonder of the seas.
They wrestled with the mountain
And brought it down until
It took its place among the domestic mounds.
They broke the dominon of dust,
Taming Saharas so that
No secret remained where the ancient fire had watched
But I think that they were forbidden,
That this most lovely terror
Must keep its maidenhood, its occult fame.
Fretted by the familiar
The last mystery shall lave
My spirit, my rest shall be the rich unknown.
NIGHT FLIGHT
(Contradicting Eglamor in Browning’s ‘Bordello’, who said : ‘ Man shrinks to nought If matched with symbols of immensity ’.)
The flat complacency of the moon
Covers the night,
But prevents not the probing
Of an insect light.
Catapulted from
His frail and derelict home,
Man's greatness outsoars
The imperious dome.
41
What are the immensities,
Or the stars that outface
Time, to this plane, this thought,
That tramples space?
He is not made small
Whose flesh-guarded renown
And sinewed significance
Drag eternities down.
THIS IS NOT THE MAN
This is not the man who laid
His hand on winds running free—
Not the man who made
The storm a dutiful child.
Into a sea mined with ice
He took no ship,
Nor ever nerved himself to
The night of jungle grip.
A towering mountaineer
He planted no record,
Crowning a peak with humiliation,
Making it the playground of a nation.
But he has come beneath the arches
Of many dawns,
Reassuring approach to
Desperate marches.
Who is hero if not he
Who, lamed by time, bears
Time as an eagle, and against the climate of age
His thin infirmity wears?
42
His courage flares on the night, his hope
Outshines the day, his shoulder
Drives against doom; but this is not news —
Though a grave be in ambush and the heart colder.
We, isled in calm, consider
Ulysses matched against magic seas,
Or we are dumb with Scott in the white danger
Of the Pole looking on the flag of a stranger.
But we do not follow
The old man, canoe in a roaring hollow:
We, chasing wisps of glory,
Leave him to his duel with the universe—
That is no story.
BABOUSHKA
(An Eastern legend tells of Babouska who, having been invited by the Three Kings to accompany them to the birthplace of the Messiah, agreed to go. Instead of joining them immediately, however, she gave her attention to some house-task. Afterwards, she found that the Three Kings had gone. Hastening after them, she could not overtake them. Thus it became her doom to wander perpetually, seeking the birthplace of the Messiah but never finding it.)
The Three Kings in their journeying pause before the humble house of Baboushka. In response to their invitation to go with them she speaks:
Lords, as you see, I am a woman lost
In a jealous land, a woman long frustrated
By the indifference of days —they passed me by;
But now this day that wears your royalty
Pauses beside my simple wall to gather
Babouska from her gloom. Yet I confess
To a dream that made my feet forget the stones,
Wrapping me in their favour even against
The sleet of sorrow.
43
First King:
Woman, what manner of dream?
Was it of One Who opens a door of life
To such as I, before whom rises up
Death like a mocking wall?
Second King:
Was it of One,
A Captain riding against the muttering dark
Until the world lie down in light and peace?
Third King:
Or did your dream behold the Sage Whose wisdom
Shall smile upon the earth like a new dawn?
Baboushka:
My Lords, He came, Captain, Sage, and Prince,
The Hope of Israel, so that a faithful torch
Gave light to my poor labour, and now Kings
Shining out of the desert have lit with honour
Thi9 low house of God. Yes, now I go
With you to that far birth, but first I must
To the house task that instantly calls my hands.
The Three Kings, after waiting some time, continue their journey, believing that Baboushka has repented of her decision. When, at last, she appears at the door, they have disappeared beyond the mounds of the desert.
Baboushka:
I did but ask the mercy of a moment.
But they have gone leaving Baboushka's life
Like an empty room. How could my spirit breathe
In the clutching cell after a pledge inviting
To a world unfenced? Oh, I must follow and find
That pure place of Birth, though burning leagues
Be sorrow to my strength and a wild wasting
To endeavouring mind.
44
Centuries pass.
Baboushka seated on a rock in a remote valley
She Speaks:
Still am I penned in pilgrimage, still my hope
Whips me across the world so that I am
Acquainted with the coloured lands and live
With mountains as with majesty, but close
Upon my heels the laughters of the world:
Yet must I on, in leash to a flying rumour,
But, faultless contriving of the centuries,
The Bliss eludes me —for the placid sky
Husbands the secret of the hanging star.
I am Baboushka, a beggar, to whom was offered
Beatitude—the rare word came to me.
But while I crouched to a miserable crumb
The enigmatical event whose nod
Betrays to certain splendour faded from me:
In this my cry all cries of cold remorse
Are heard again—but down the flinty days
Again I hasten having no guide but only
A pitiless hope . . .
She passes like a silver ghost
Through the nights, but painfully and in a cloud of cries.
Some say her beauty refuses
The autumn touch of the years, others know
Of a woman dry and driven like a leaf,
The tattered bride of time; yet one whose eyes,
So hot with hope, have shrivelled the hand of death,
So that the grave, the door to her desire,
Is closed and earth promises nothing
But memories that whisper about the walls.
45
POET TO THE UNBORN
In the time of your dark slumber
My word sang into light.
And in my word the deathless tree,
And the stintless herb of ecstasy,
A world washed of umber.
In the time of your hungry blindness
My eyes loved the corn:
So never that harvest bowed to knife,
And the bird above flew into life,
Caught in a poem’s kindness.
In the time of your discerning
When your look questions the earth,
The dying bird, the piteous grain.
In my warm verse shall live again,
In you my rapture burning.
THE PLANNERS
These doors, locked and chained, defeat
Even the eavesdropper, if such as he
Were elevated out of his folly
By suspicion to balk these makers of history.
While men walk in a light of innocence.
Finding life honest as the sky.
They forget the old men having no future
Who plan for them, fencing plots in which to die.
These are the architects who having no master.
No precedent resting heavy on hand.
Compel events, tie up innovation.
And snare in regimentation the quivering land.
46
Shall we continue with our loves, maintain
The dance whose lights are already dying down,
While these controllers from whom rush no reports
Prepare to tame the truant town?
Now is the time to speak, or wake
To face direction posts, our path defined,
Or if it go further feel a paralysis
Creeping towards impulses of the mind.
ALONE
(In a book written in 1938 under the title ‘ Alone’, Admiral Byrd tells of his terrible experiences, both mental and physical, during his solitary occupation of the Bolling Advance Weather Base during the Antarctic winter night of 1934)
I am acquainted with night for I saw the sun
As a god fall from the altar place:
I saw in the east the baffled face
A moment haunting the mocked horizon.
Something within me died with incipient day,
Cut from the common heritage I shared
No longer the golden plenty, I was snared .
In the dark ice, in a crevasse brought to bay.
The fingers of frost charged with death
Were fire to my flesh, they found
The innermost cell, with iron skill they bound
The drooping will and laid a load on breath.
I was alone like one dead, tossed
To an islet of pain, flung
Across a forgotten sea and wrung
By remembrance of a world supremely lost.
47
TATTERDEMALION
He blows like a rag across the fields, he blows
Along the crazy roads—
Tatterdemalion.
No man’s slave, no man’s son.
Life goes on without him, he
Sits on a fence abstractedly,
And blowing in the wind his rags
Are more to him than blazing flags.
He has no loyalties except
Allegiance to the aimless road:
He outwits time, the accent of doom
Beats not within his boundless room.
They who walk in lordly leathers
Find but the narrow city,
But he with his thorn and broken shoe
And all the weight of weathers
A kingdom finds—he alone
Swept to a wide and windy throne.
I HAVE MADE FRIENDS WITH TIME
I have made friends with time although I have seen
His fingers close on many a meek treasure:
Friends, although in the time of the dark visit
There was no silver word of recompense.
Time makes no contract, softens with no pledge
The onset of event 9, but like the seasons
His moods return so that today lies
A petted lover but tomorrow dies.
48
Yet I have made friends with time,
Having taken his cloud-burst of pain
A» earth takes the rain.
\nd in ihe threatening twilight
Have been as an evening lark in whose throat
Day lingers though lost over the mountains.
Friends with time although
He brings death like a blow.
For then I shall no more walk with mystery
Speaking but telling nothing like the sea,
No more be wistful with winds,
No more with the necessity of the lark
Publish the day to the dark . . . .
And all this
At the turn of the road
Or beyond the secretive hills
NO PLAIN PATH
No plain path and no brisk highway
For us who are caught in ruts left by the wheels
Of war, therefore no deft approach
To a probable inn, no solution
Of problems falling on the brain like sleep, no care
For a past coloured with shame, no confidence
Bringing tomorrow with trumpets, softening
The face of the future, how shall we sing
While grief shakes the house of memory and
Indignation withers the blade of love?
Only by seeing unstained the earth
Like birds that are too swift for sorrow,
Or by looking beyond the stubborn cloud towards
The sky clean of reproach, the arch of truth,
Considering also the wisdom of
Stars dreaming the earth's deliverance.
49
LEAVES
To the earth but not to humiliation
The leaves fell breaking
Intimacies with the wind, forsaking
The prefecture of the sun and the bird’s elation.
They were balanced on levels of life.
Over the day like a devouring sea
They scattered their islets of shadow.
On the dismissals of autumn drifting,
That was no abject dispersal, no retreat to death
But they returned like fire
To warm the earth, like desire
To the soil awaiting the infant, Spring.
OUT OF THE MURK
Out of the pause and murk of history
Broke Bethlehem; the night was mystery,
When of a town forgotten
Beauty was begotten.
The wise men left their watchful turrets afar,
Bowed to the admonition of a star.
For somewhere the singing earth
Cradled the comely Birth.
But we have left no towers; belated eye»
Travel for some stray token the barren skies
The wise we will not follow
To Bethlehem’s meek hollow.
50
Are not our hopes pilgrims, coveting
The acres of peace, the renovating spring?
But our faces have turned away
From Bethlehem's tinkling day.
Yet, exile from our pride, of no renown,
Now must our tutor be a little town —
Our desires be domiciled
Within the orbit of the Child.
RENOUNCEMENT
Shall I be as the river that slides away
From the city’s edge, that shepherds its life
Through shadows, that fondles a fancy,
And hears not the shout of our delirious day?
Here by the waters I know
I am one with them, I follow
Them through darkness, nor do I reckon
Pleasures that beckon.
Though I despise the city, yet these hands
Acknowledged the promising vistas, the passionate gardens
When my youth was master of lands,
But now I run to the refuge of pardons.
I strutted my day in the street of unease,
It was my gold that lit the marketplace,
And it was my foiled astonished face
*—« -- .. — j Night took between her knees.
But my spirit has come to pasture, I go
With the river, I ferret no favours:
My gain
To receive what the hours bestow
Whether it be the touch of the tolerant sun,
Or a wind without gossip of pain.
45
SHAPING THE FUTURE
(United Nations Conference)
Tomorrow is a wild lass
Hiding in the wood,
She will not wear the careful clothes
We make her—as she should.
She will not wed with our desire,
Nor crouch to our decree,
This maid who laughs at every snare
That men make solemnly.
Though they confer, each man as strong
As a nation, she succeeds
Against their wit when she puts on
Her own free-fashioned weeds.
And when the dark discourses end,
With plans proud as the skies,
Tomorrow will take the queenly path
To substitute, Surprise.
52
THE CAXTON POETS SERIES
No. 1 Christopher Columbus W. Hart-Smith
No. 2 Blow, Wind of Fruitfulness James K. Baxter
No. 3 Disputed Ground Charles Brasch
No. 4 Man on a Raft /. R. Hervey
No. 5 At Dead Low Water & Sonnets lllcrt Cunwic
No. 6 Canterbury & Other Poem- Basil Dowling
IN PREPARATION
arc collections bj Charles Spear, K.A. K. Mason
and A. R. D. Fairburn.
Price 6/-
Permanent link to this item
https://paperspast.natlib.govt.nz/books/ALMA1949-9917503783502836-Man-on-a-raft---more-poems
Bibliographic details
APA: Hervey, J. R. (John Russell). (1949). Man on a raft : more poems. Caxton Press.
Chicago: Hervey, J. R. (John Russell). Man on a raft : more poems. Christchurch, N.Z.: Caxton Press, 1949.
MLA: Hervey, J. R. (John Russell). Man on a raft : more poems. Caxton Press, 1949.
Word Count
7,227
Man on a raft : more poems Hervey, J. R. (John Russell), Caxton Press, Christchurch, N.Z., 1949
Using This Item
Out of copyright (New Zealand)
To the best of the National Library of New Zealand’s knowledge, under New Zealand law, copyright in this book has expired.
You can copy this item, share it, and post it on a blog or website. It can be modified, remixed and built upon. It can be used commercially. If reproducing this item, it is helpful to include the source.
For further information please refer to the Copyright guide.