TE AO HOU LITERARY AND ART COMPETITIONS 1960

JUDGES' REPORTS SECTION A STORIES IN ENGLISH Judge: Editor of Te Ao Hou Judge's Report. There were thirteen entries in this section of the competition and some of them were of an extremely high standard, both in thought, and in power of expression. Every story was concerned in some measure with the basic problem of Maoridom today—adaptation to a new and sometimes bewilderingly complex way of life. Sometimes the adjustment proves successful after initial difficulties, as in The Brothers by Gwen P. Howe; sometimes it involves a return to the basic principles of Maoritanga, as in Back to the Mat by Mikaere Worthington, but a Maoritanga transformed by its adaptability to the modern world, related directly to the fruitful and harmonious development of the Maori people. Somewhere, either directly or by implication, every writer insists that the Maori must learn to take his rightful place in the pakeha world, and more significant—that such a place is waiting for him. I was impressed in many places by the authors' control over and command of the English language, which they do not hesitate to use in a lyrical and sometimes passionate manner, which can put many of their more reserved pakeha colleagues to shame. The Maori writer seems instinctively to understand that the English language is one of unrivalled majesty and richness, not, as many pakehas demonstrate, a convenient method of shorthand. I expect—I say this in full confidence —that the next ten years will produce a Maori novelist of outstanding talent; already the ground is being prepared for him. After much deliberation, I have awarded the prize of £10.0.0 in this section to Peter Sharples, for his story The Fledgling, which appears in this issue. It was written while the author was still a 6A student at Te Aute College. Of all the stories, it showed the most mastery over form—the understanding that a short story must move logically and inevitably to its end, without swerving to right or left, and leaving an impression of some action or experience completed. The unexpected ironical ending had the justice and rightness of the born writer. The conclusion that one must draw from the story—that Maoris are very easily seduced by the superficial side of European civilisation—is not comforting, but such things must be pointed out, and Mr Sharples has done so with a beautiful economy of expression. The following stories have been retained for later publication. Between two worlds and Te Ao Hou by Hinauri Strongman Tribole, of Salt Lake City, Utah, U.S.A., Back to the Mat by Mikaere Worthington—this story was a close finalist; Look Wider, Little One, by Dorothy Connell, The Vision of Hiahia, by Errol T. Raumati, Honour and Friendship by Aileen Simpson, Big Joe by B. A. Olsen, Country Girl by Hirone Whikiriwhi and The Brothers by Gwen P. Howe. Altogether, I regard the entries in this section to have been most satisfying and illuminating. SECTION B STORIES IN MAORI Judge: Mr M. R. Jones, Private Secretary to the Minister of Maori Affairs. Judge's Report. None of the entries was of a sufficiently high standard to warrant either a prize or publication, and my comments will be communicated to the three entrants privately. SECTION C DRAWINGS IN BLACK AND WHITE Judge Mrs Evelyn Clouston, Artist, School Publications Branch. Judge's Report. There were seven entries in the competition and at once there was no doubt whatever of the winner. I recommend that the prize of £10.10.0 be awarded to Duel on the Rock by Meretiana Reihana, of Masterton. (See pages 32–33.) This drawing has great strength and vigour in its design, and a primitive strength in the figures. (Let me explain that I use the word ‘primitive’ in a sense which means drawn directly from the artist's experience and not based on any second-hand model.) Of the other entries, I would