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Rip It Up, Issue 184, 1 November 1992, Page 7

IklllW 1 1 DM l« MI IH ■ STEVE EARLE We Ain't Ever Satisfied | THE JEFF HEALEY BAND Feel This ■''? j - The Essential Collection ' J Guitar heroes come and go, but none has ever threatened ’ | When Guitar Town, his first MCA album, launched Steve : '' - ' Tfe I to redefine our expectations of the instrument like Jeff Earle’s major label career in 1986, he was already a s ' /ttlllk * Healey. With two critically acclaimed albums, awards veteran of more than a decade in Nashville. This collection A ; worldwide, and an enviable reputation for stunning maps out Steve’s career from Guitar Town to his latest L ■ tlilljOL- . audiences around the world with their live shows, the Jeff studio album The Hard Way and every thing in between. K, -l-ff V9MI i|||| j Healey band have come a long way in the last four years. Overall this album is an excellent blend of varying musical ■ ~ Bra| ■' MI Feel This was produced by Joe Hardy and the band — the styles. Most people don’t mix hardcore country with 3 * /JgjgH sound remains unmistakably that of the Healey Boys, pedal-to-the-metal rock, but being an original as opposed 1 jkl; ; ’ I ' ” ' to a copy, Steve Earle does it all, particularly the latter, < x '-\ brilliantly. , ; . » IZZY STRADLIN AND THE JU JU HOUNDS THE TRAGICALLY HIP Fully Completely ' ■ - . Izzy’s debut album is definitely a melting pot that reflects ' - . The Tragically Hip - guitars/bass/drums/vocals — from MS the musical styles Izzy heard while growing up — from the I ' ' ? Chuck Berry to the Rolling Stones to the Sex Pistols. "■ „ ’ I Keith Richards-style riff which opens the album to the W®*®* .J< When Canada’s Tragically Hip dive into songs from their ‘■ I I] Beatle-esque psychedelia of‘How Will It Go’, to the Mg Bi » fourth effort Fully Completely they prove, as Chuck Berry B ’ sinewy reggae skiffle of ‘How Much’ and the country blues BV ! , X did, that the variables of Rock ’n’ Roll are only limited by > v of ‘Time Gone By’. There’s also a duet between Izzy and 'fk" '|l E the range of your creativity. Fully Completely moves the •„ . , -Xa b AT‘ Jgpjv I Ronnie Wood, and the first single is a revved-up cover of ’ - H* s band into a new musical dimension without compromising . \ Toots and the Maytals’ reggae classic ‘Pressure Drop’. i the urgency of the Tragically Hip’s unique, v< u « “The best thing about this is, it’s not a complicated thing ' jy ’T * spontaneous sound. ' ' —it was fun.” That’s how Izzy Stradlin describes Izzy , S 1 • Stradlin and the Ju Ju Hounds. , I r H VEGAS Vegas II , 1 8 1 TTTWZTTf WARRIOR SOUL Hw ' Vegas is Terry Hall (ex-Specials, Fun Boy Three, jTI JA | ybl Ay i HBflK Salutations From The Ghetto Nation Colourfield) and Dave Stewart (ex-Eurythmics) — the “ a j? jTrW, mBMbwMK Warrior Soul’s third album is a perfect hybrid of the Hi result of an intended studio experiment. The album was t band’s first two albums. The punk anger, the socially UH born from the perfect marriage of Terry Hall’s lyrics and 3 conscious intensity, and the sonic sound all still there, but nBBI 808 Dave Stewart's music, the two opposite characters fitting it’s more focused, grown-up without going soft Vocalist/ 0 like a glove. All classic songs with a twist which has come poet Kory Clarke could be the spokesperson for the H ■ result of an intended Vegas. experiment. The album was ' fepl 111 Ff l 1111 youth first two albums. The punk the socially born from the perfect marriage of Terry Hall’s lyrics and conscious intensity, and the sonic sound all still there, but Dave Stewart’s music, the two opposite characters fitting JHhWmhHB ' t s more focused, grown-up without going soft. Vocalist/ like a glove. All classic songs with a twist which has come poet Kory Clarke could be the spokesperson for the to form the shape of Vegas. id 111 1 f|T|hplu youth of the 90s —as Salutations touches on often '’’mT ' ' sugarcoated topics such as despair, politics, violence and W ■ gHfr* B M JI love. It’s music to jam to, as well as think about — a U soundtrack for a revolution. BOSS -l iI i 1 11 ♦i » Warrior Soul — either you get it or you wil .. . • ■ BB KING King of the Blues i -jgtfc It’s the king of boxes for the King of the Blues ■ JH M' ■ ★ Nearly five hours of blues on four compact discs II jWIMPr B H ★ 77 original tracks including seventeen unreleased tracks, plus 12 more rarities from BB’s first ever recording S — 1949’s ‘Miss Martha King’to 1991’s duet with Gary Moore‘Since I Met -You Baby’. E ' *.' yg I ★ The set features appearances by the Duke Ellington orchestra, U2, Bonnie Raitt, Leon Russell, the Crusaders, ® z : | U ' Carole King, Stevie Wonder, Ringo Starr, Joe Walsh and Bobby Bland to name a few. ■ . . ? w| • ★ A 72 page, full colour booklet featuring rare photographs from the 40s to 1992, a complete discography, ' . ..J comprehensive liner notes and a first-person commentary by BB on his life and music from the plantation to today. '-rSS> '2 BOBBY BROWN Good Enough ' < WHITNEY HOUSTON ® BABY ANIMALS Impossible to Fly ■ ' BOBBY BROWN Good Enough UM''" ' - WHITNEY HOUSTON W BA BY ANIMALS Animals slow Fly Following up Humpin’Around — Bobby ™ / ' v ' ' I Will Always Love You Aussie rockers Baby Animals slow once again teams up with hit producers tat Two time Grammy Award winner § ~ things down for their first single since ' B and songwriters LA Reid & Babyface. - /' ‘ /'-' 'i Whitney Houston releases her new C * ' the stunning debut album Baby Good Enough is an old fashioned, good Bfe ■FtBBe *• ? single this month. An emotive ballad,‘l Animals. On ‘lmpossible to Fly’ vocalist . F time, soul sway, the kind of mid-tempo BMIt ' \ Will Always Love You’demonstrates g- Suze de Marchi steps out of her rock ‘WHBBB. ' singalong that’s destined to become an E- B| * mBB. . every element of Whitney vocal range W • shoes to display a darker, bluesy sound i ' R&B classic '' and power, and is taken from the KyS’SlfesSfis with a hint of sultry jazz. - ’ x ’> ’ ' g soundtrack album of her motion **; *•* ■ = ;; . \ . ‘ , picture debut The Bodyguard, also ’ "' **"' '• - *>. * * V ''' ' /i. « starring Kevin Costner. Z~j jMgM.'J I* - Ulf I^,,'"' 4 WRECKX’N’ EFFECT Rump Shaker g A fj TLC What About Your Friends MY LITTLE FUNHOUSE ’’ ' t'— T An extremely belated follow up to - ' t ji.niFrom their debut album Ooooooohh on ■ / Addicted EP v- FygHl 1989’s seminal‘New Jack Swing’, but f 5 <’ \ the TLC Tip comes TLC’s third stunning MWr ? ; Hailing from Killkenny in the south \,•' , ET*"! well worth the wait. Teddy Riley’s I ‘ ' JBL, smash hit single‘What About Your I , x i -1 east of Ireland, My Little Funhouse are ■ Xa? > brother’s group return with the biggest M * W;, F Friends’which features production |g|||gg/ / f Wfj tn a ten-legged snarl rock groove, spread \ LiTZ rap/swing track of the moment‘Rump ' from Billboard’s Top Pop Singles ’ H with attitude, dirt guitars and a Shaker’shows that Riley can still swing s( “e ' Producer of 1 991 Dallas Austin. Smart f‘ t ■ W' L, * growling star voice in semi dreadlocks. H ' ' • it in street style —- the track is large. V beats, savvy production and sassy My Little Funhouse are young, fired up . i FF ' ■t'"'‘ delivery make this one a winner. s £* s J and aggressive.‘l Want Some of That’ ’ | ■!** ’ rrfM is the first single from their self-titled .-Trjffii " ' P”■ debut album. “There’s little doubt that hese guys are going to be huge.” || 8 ... UPPER HUTT POSSE Ragga Girl MARY J BLIGE . [— 1111 I I 5 0 v*Tl > I 41 The long awaited new single from the Real Love COMING SOON ALBUMS: CHER Greatest Hits, THE BODYGUARD Soundtrack, GRAYSON || c ; '<?« <w undisputed pioneers of New Zealand The R&B hip-hop HUGH Road To Freedom, KENNY G Breathless, PAHINUI BROS, HOME ALONE 2 Soundtrack, H FER < hip-hop. ‘Ragga Girl’ is a good time soul sound of song- MICHAEL PENN Free For All, TRY N B Sexy Eyes, PA Y SMYTH, VAYA CON DIOS Time Flies, H — - RS&Wk ’ party song, which is executed in a < ' - ' stress Mary J Blige NIRVANA Incesticide, ALAN JACKSON A Lot About Livin', KWS, THE MOVEMENT Mini Album, | * contemporary and accessible dancehall ML HMM explodes on her WRECKXN EFFECT Hord or Smooth, THE BEAUTIES, COME Come, BUFFALO TOM IstAlbum. & W ■'>' ' style. With ‘Ragga Girl’ Upper Hutt £ , ’’ - smash hit single ‘Real EVERY MOTHER’S NIGHTMARE, RADNEY FOSTER Del Rio. FLOTSAM AND JESUS Cuatro, C' . : Posse add another notch to their list 4 ’ Love’, Mary’s unique LIQUID JESUS Errors. VIDEOS: GUNS‘N‘ROSES Use Yor///us,on / 2, JIMI ■■i of innovative achievements and at the ■ ft fIK blend of funky hip HENDRICX Live at Woodstock SINGLES: GUNS’N‘ROSES Yesterdays, ANNIE LENNOX Co/d, * . , m • 4 ' MBH *'• f k k . j- TLC What About Your Friends, GARY CLAIL Who Pays the Paper, NIRVANA In Bloom, —same time push contemporary Maori ** WWWHI hop beats and jazzy .. ~, ir . , .... „ . , t, K 2, . , .... •r . Il k k LONDONBEAT That s How/Fee/, MAREE SHEEHAN Dore to be Different, SONIC YOUTH Youth wa.dK* music to the centre of New Zealand vocals will shoot her . . . . _ CI . . CL .*, , r , r r„, , , MWBlMff | , Against Faasm, BELL BIV DEVOE Gangsta, SHAI If I Ever Fall In Love ... music. -' .nd' straight to the top. " . N 1.l lllll||||||||gg||