Page 30 Advertisements Column 1

Rip It Up, Issue 110, 1 September 1986, Page 30

I llslh J—A -„ ?.-■./?•'■-. ■ : J wl gsgwj ' •■;/? .•■.•.] | £ ■ ■f— ..... . ■ \ : Er 111 111 II 111 II 111 II 111 II 111 i r J Review of New KAWAI K 3 Digital/Analogue 8 voice synthesiser While the new generation of digital Synthesisers assigning relative amplitudes for 32 harmonics, were heralded for their brilliant clarity of sound and Editing and creating sound is a breeze due to the clear features such as touch sensitivity, many musicians felt front panel layout on which all parameters are that creating useful programmes on an analog synth written, and the simple dial arrangement, was difficult enough, especially when trying to make . The K 3 has completely programmable touch and fine adjustments on stage. The new Kawai K 3 has aftertouch controls as well as six stereo chorus certainly gone a long way towards ‘user friendly’ settings. This Synth has the warmest, richest string technology by combining wave sampling with true sound I’ve heard on any digital machine and all the synthesis ability. It utilises 32 built in wave forms wonderful crystal clear percussive sounds you would which are produced by 2 oscillators and then passed expect as well. through the Filters, LFO’s and envelope generators The one feature that is truly astounding is the price, which we are familiar with on analog synths. , only $2395 and worth every cent. An added bonus for the keen programmer is the ability to create and store your own waveform by RICHARD HALL SEE THIS BRILLIANT NEW SYNTHESISER ONLY AT \ FOR EVERYTHING MUSICAL 12 COMMERCE ST AUCKLAND. PH: 34-829 x gjl 12 COMMERCE ST - AUCKLAND. PH: 34-829 JK Let Richard demo it for you ... ■H H Special s°/o intro discount for a limited time!