mockers

Rip It Up, Issue 52, 1 November 1981, Page 6

mockers

Mark Phillips

Jimmy and the Boys with Ignatius Jones on vocals, Joylene Hairmouth on keys, Michael Parks on bass, Barry Lytten drumming, and Steven Hall on guitar put up a wild sort of show at Mainstreet, with smoke bombs, costume changes, striptease, not forgetting the rock. It's 12.30 pm Sunday, and Ignatius is pleasant and eloquent. Start off with a question about Saturday night's show, which he describes as great! "When people haven't seen us before, they don't know how to

react, or what they're supposed to do, but we were pleased, considering most of our stuff was foreign to them, and bearing in mind the horror stories we'd been

told by New Zealand bands about non-reactive crowds here." Naively, I ask if the band ever plays straight. Ignatius regards the question as a travesty. "I don't consider what we do camping it up. We're theatrical people doing a theatrical show. Can you imagine being asked to play Jesus Christ Superstar without any robes!" What about the format? Isn't it in danger of suffering overuse? Ignatius replies: "It's a fluid thing. In Australia, I have been known to stop and talk. to the audience for 45 minutes. But New Zealand is such a pale place, you've got nothing here except Muldoon, so I fell back on good old toilet humour, the lowest common denominator. Sometimes you have to, if there's nothing else to talk about. It's also a question of pacing your act. Give the audience a laugh, it gives you a chance to rest, but that's not to say you let them get lazy. If they're not reacting I'll berate them until they wake up." The new album Teddy Boys Picnic is enjoying huge success in Australia at the moment. Ignatius comments: "The teeny thing doesn't happen in New Zealand, but in Australia they're the ones buying albums, the screaming little girls. We made sure we incorporated a couple of commercial songs so we'd have that appeal. 'They Won't Let My Girlfriend Talk To Me' was 13 weeks in the top ten'.’’ ■ "That single was the biggest shock we sprung on Australia; People were saying 'oh, there's nothing Ignatius can cdo now, short of kill himself on stage', but we stunned them all. You can shock people in different ways. I wanted to do a love song, and a ballad, and 'Girlfriend' worked. The unexpected is much more dramatic." Ann Louise Martin.

One of the most inspired band names in recent times must surely have been the Ambitious Vegetables. The Veges were a bunch of young Wellingtonians who because of their age did not get the chance to play and develop the way they deserved. But that was in the good old days. Now, the ex-Veges, Andrew Fagan, Gary Curtis and Charlie Mannell, are with Dale Monaghan, and called the Mockers. Andrew takes up the story: "We formed as the Mockers in May 1980. We started playing in July, and our first single, 'Good Old Days'/'Murder In Manners Street', came out in September. "We had no idea of how to go about putting out a single at that stage. We just took our tape down to the pressing plant and asked if they did singles for anybody. It was all very Mickey Mouse. Our major problem was distribution. We only managed to get the single into Wellington shops. "The best thing was the recording only cost us $350, so we covered costs after the first 200 sales." So did you look for live work? "At that stage we hadn't even played! We were working on the theory that if you had a good demo, you could use it to get gigs. We did get some supports, mainly at the Last Resort. It was

great, because in those days you only needed to play for half an hour if you were the support band. . "I'd hate to be starting out in Wellington now, because - the only place you can really play is the Terminus. It's very hard to have an hour of worthwhile material when you've only just started." The Mockers have never really, done any touring. ; "We're afraid to tour until we think our name is well enough known," says Andrew. "We don't want to end up thousands of dollars in debt, like so many NZ bands. At the moment we have day jobs, which is why we stay in Wellington. It's easy to play at night and work in the day, as long as we don't have to. travel. I think the best way for us to do things would be to move to Auckland and exist the way we do now." Can you see yourselves turning professional?^SßHHHHHßfl "Perhaps. Although in strict terms we- aren't.. professional now, but we do have a professional attitude. I think the necessity of turning' professional is only brought about by touring." Are you afraid you might go stale by staying in the one place? 'The fact that we play to the same audience all the time means we. have to work a lot harder to keep them interested. We're continually writing new songs to

combat it." The. Mockers' second single, Trendy Lefties', has been out now for a few months. Despite its strong commercial appeal, it didn't make much impression on [thelcharts^HHMMM Were the band upset at the reaction to the new single? "Yes," they chorulWpn^B "We thought of it as our most commercial song," says Charlie. "It's really put us off releasing commercial stuff. Next time I think we'll just do whatever song we feel like." What's ' the sentiment behind the song?)nßMpHpHß| "It's about factions," says Andrew. "It's the way everybody accuses everybody else of being trendy, when they're really caught up in their own little trends." Maybe that's why the radio stations didn't play it.