MAJESTIC THEATRE

Wanganui Chronicle, Volume 84, Issue 189, 13 August 1940, Page 7

MAJESTIC THEATRE

“DAD RUDD, M.P.” Whilst the underlying motif of "Dad Rudd, M.P., the current attraction at the Majestic Theatre, is necessarily comedy, there is much more to its entertainment appeal than guffaws around the cowshed. A note of national importance is struck by the introduction of the problem of water conservation for the man on the land—the aspect, indeed, whicn motivates “Dad Rudd’s” political aspirations. It was the broad treatment of this that necessitated a month's location at Camden and again, a week at the Woronora Dam, currently in construction, and finally, a day's shooting in State Parliament House. Thus in "Dad Rudd, M.P.,” a notable new Australian picture! But its main claim to attention is the fact that once again its brings back the inimitable Rudd Family, who have won justifiable esteem because of their ability to provide entertainment that is lighthearted, wholesome and sincere. The cast was carefully chosen and, for the most part, the Rudd Family remain identical to the former series. Under the paternal wing of the be-whiskereci Bert Bailey there are Mum (Connie Martyn), Dave (Fred McDonald), Joe (Ossie Wenban), Sally (Valerie Scanlan), and his eldest daughter, Ann, played by Yvonne East, the titian-haired Melbourne actress who makes her screen debut in the film. The comedy character of “Cedric Entwistle” is again played in uproarious manner by Alec Kellaway, whilst*' Grant Taylor, discovered by Cinesound at its own Talent School, is the romantic “Jim Webster,” whofinally unites the two families by marrying “Dad’s” daughter. Grant Taylor's screen “father” is Frank Harvey, stage and screen veteran, who also wrote the scenario. A notable newcomer is Barbara Weeks, Hollywood actress with some 40 American films to her credit. Visiting Australia with her husband, Mr. Lewis D. Parker, her services were quickly availed of by Producer-Director Ken. G. Hall, with the result that she is prominently featured as “Sybil,” the “other woman”! In the excellent supporting programme are scenes of Beaulivre’s gallant attempt to win the Doomben Newmarket for New Zealand.