Siberian Cossacks

Press, 27 September 1988, Page 6

Siberian Cossacks

The Siberian Cossacks, presented at the Town Hall auditorium, until September 28, at 8 p.m. Running time two hours. Reviewed by Elie Stephenson. A whirling kaleidoscope of actionpacked colour and charismatic choreography, was presented to an enthusiastic audience by the sensational Siberian Cossacks. A talented company of 70 dancers complemented by the music of their country, played by an orchestra of equally-talented musicians. Each variation contrasted the mood of the preceding performance with every dancer contributing to what, to the casual observer was a spontaneous presentation, but which represented years of working towards perfection. “My Siberia,” with the full ensemble, filled the stage with lavishly-gowned dancers with their traditional balalaikas and accordians, provided a colourful and invigorating opening. From the speed and dexterity of the dancers to a "Lyrical Dance” the women dancers glided effortlessly into view with beauty and grace, creating enchanting patterns with their partners. A demonstration of skills traditionally Russian, provided fun and enjoyment for the company and audience. The "Cossack Dance,” a stirring and rousing sabre dance, was highlighted by visual sparks flying. Who would have thought that a “Bucket Dance” could be so graceful and entrancing, with the dancers, in their flowing floor-length gowns, moving as though on wheels through each interweaving formation. The descriptive characterisation in many dances gave universdi understand-

ing and humour. This was especially notable in “Comedy Dance,” a romp in a farmyard, where roosters strutted, wooed and eventually won the admiration of the hen of their choice. A surprising addition to these accomplished dancers were the vocal contributions, and delightful use of simple hand props. A charming balalaika solo played with sensitivity by a soloist of the orchestra transported the audience to the romanti-. cism of the Siberian slopes. Vitality was ever present, and fast footwork and faster turns, produced an exhilarating pace throughout. Lovely little quirks of humour sparked reactions as dancers left the stage. A snappy military-style tap routine by the full ensemble, was precision tapping at its best, showing yet another facet of this vibrant company’s versatility. “Spoons and Whistles” provided a delightful light-hearted divertissement by three soloists using just spoons and whistles, with interesting results.

“A Fun Game In Siberia” was the climax to an evening that enthralled with diversities of speed and individual skills, so traditionally belonging to the Russians. Human spinning tops, pyramids of colour, and boundless energy were presented at breathtaking speeds, by this smiling joyous company. Embroidered, beaded and vividly coloured costuming, incredibly detailed added lustre and visual impact. The venue certainly did not contribute to the atmosphere or presentation worthy of this company, as entrances and exits were severely hampered by the lack of height orriull wing area.