‘Bad Jelly the Witch’

Press, 5 October 1984, Page 4

‘Bad Jelly the Witch’

“Bad Jelly the Witch,” presented by Southern Ballet Junior Company at the Southern Ballet Theatre, October 4 to 9. 7 p.m. and 2 p.m. Running time: 90 minutes. Reviewed by Heather Campbell. In this balletic production of “Bad Jelly” there is charm, colourful images and a galaxy of characters brought to life by the talents of the artistic director, Lorraine Peters. The story narrated by David McPhail tells of the adventures of Rose and Tim in their search for their beloved cow, Lucy. On A their travels they . meet'many interesting be- ‘

ings such as “Fluffybum the Cat” — the epitome of panache. Kirsten Wright’s interpretation of “Fluffybum” is delightful, as is her dancing. In the role of “Binglebonk Goblin” Elizabeth Cumming dances with a pleasing musicality complemented by a fine- technique. Technical assurance is an obvious strength in this company of young dancers, ra’ngingg in age from nine to 14 years. Miss Peters’ ability as a teacher and choreographer is to be recognised here. •&X Sally Rentoul as Rose dances with a grace and

maturity beyond her years, yet sustaining the child-like simplicity the role of “Rose” demands. She is well partnered by David Garrett as “Tim.”

Anna McPhail’s “Bad Jelly” is superb — she is evil, vitriolic, at times maniacal, and always funny. Corps work is mostly strong, particularly in the forest scene where we come upon “Dinglemouse,” beautifully danced by Rebecca Sutton. Creative and colourful costuming by Marie Cumming and Noeline Sutton adds greatly Ofc an over-all excellent protraction.