The Coming of the FiftyStory Building.
By
JOSEPH THOMPSON,
THIRTY years ago, if a stranger visited New York, and desired to see the ofliee district of the city, he found that it extended ever a comparatively small part of Manhattan Island, a space ten blocks in length and two or three across. He found that the typical office-building ,vras a stone and brick structure from six to eight stories in height. In the whole office district there were perhaps half a dozen so-called fire-proof buildings; in reality these did not deserve the name, for a good deal of wood was Used in their construction. If our visitor had entered even the most complete of these structures and desired to call at one of the upper offices, he would have been conveyed upward by a slow and jarring steam elevator. He would not have had to ascend very high, for the top floors in these buildings were little used for office purposes, the means of access being •o inadequate that business men would not ask their clients to meet them there if they could help it. Tn many cases the janitor and his family occupied the ■top floor.
Let us suppose that this same visitor comes to New York again, say a dozen years later—in 1889. He now finds a marked change. The office district has spread out in all directions, and now is on both sides of Broadway, and both north and south of Wall-street. Stone and brick structures have proved unable to answer the demands of the city’s increasing business, and the era of the steel-frame structure has entered. The new buildings are twice as high as those he saw before, running up to twelve or even sixteen stories. If he enters one of them, he will find that its elevators are both speedy and comfortable. No longer are top-floor offices undesirable. Or. the contrary, the faet now is, as it has since remained, that they are in special demand. Not only in the matter of elevators, but in all internal conveniences and appliances, tenants are supplied with comforts unknown a few years earlier. And after a lapse of another dozen years, let us suppose that our stranger makes a third visit to the metropolis. In 1901, he finds that practically the whole of Manhattan Island south of the City Hall is given over to offices exclusively. No longer do people point out to him, as the standard of building perfection, some of the sixteen-storey structures which seemed so splendid at his former visit. His city friends take him to Park Row, and tell him, with pride only half concealed, to let his gaze rest on the Park Row Building, the latest and greatest of local architectural marvels.. He now beholds a mammoth structure whose soaring towers rise no less than thirty-two storeys from the curb line, whose cost was in the neighbourhood of £500,000, whose roof covers nine hundred and fifty rooms, and whose elevators have a daily passenger traffic of some twenty-five thousand people. ■ ' ■ And truly, when this enormous structure was completed and opened, about nine years ago, it seemed as if a limit had been reached. But no limit can be set upon human power and ingenuity. Above the topmost roofs of Manhattan Island there are now rising huge towers of steel that dwarf the height of the older edifices, and that mark a veritable new era in the construction of skyscrapers. The new Singer Building, at the corner of Broadway and Libertystreet, measures no less than 612 ft from the sidewalk to the top of the lantern that crowns it, with 47 stories of offices and nine and a-half acres of floor space. Several other buildings are projected, or in course of construction in the down-town district, which are to surpass existing ones both in size and in ithe completeness of their equipment. These enormous structures are being •rected in response to a well-defined •oonomic demand. During the last 30
years the business affairs of New York have been continually increasing in their magnitude and scope. There has been, moreover, much consolidation of inIterests. The quarters which served the small partnership and the small corporation will not do for the large trust. Furthermore, it has become more and more necessary for important concerns all over the country to have their New York offices, in order to be represented at the commercial and financial centre of America. And while the de-
mand for accommodation is increasing, the number of square feet on Manhattan Island remains precisely the same. There is, therefore, but one thing to be done. Following the example of the man in the parable, the small buildings must be torn down, and in their place must be erected structures which shall ascend higher and yet higher into the air. The necessary capital having been secured, the next task—no light or easy one—is for the architect. He must draw the plans for the building, both externally and internally. The shape and the size of the ground on which it is to be erected constitute the first chain that binds him. Where a single inch of land is so valuable that legal battles are waged over its ownership, it must needs follow that the architect is not infrequently called upon to plan
a structure to be erected on a small and irregularly shaped plot; and not an inch of this high-priced land must be wasted. Next comes the problems of engineering and construction; and here again many of the striking features of these great buildings are not apparent to one who casually inspects them. Look first at the elevator service. Its insufficiency may finally thwart the success of the whole building. It must not take up too much rentable room, yet it must fully satisfy the demands of the tenants, for no New Yorker will consent to walk up even a single flight of stairs. It is estimated that between the hours of 9 and 11 in the morning no less than 16,000 people enter some of these huge structures. That is, enough people to form a considerable town must be transmitted to their respective floors within the space of two hours. To accomplish this with the greatest efficiency, and with the greatest economy of space, a carefully devised elevator system is necessary. That the same
“lifts” should serve bhe whole of 30 or 40 floors would manifestly be highly unsatisfactory. A fortieth-floor tenant would justly complain if, to reach his office, he had to take a car that might be obliged to stop 39 times on its upward journey. The difficulty- is met by dividing the service into “express” and “local,” as on the railroads. For instance, in a typical New York office building of 32 stories there are 22 elevators. Seven are locals running from the ground floor to the ninth, and no farther; seven more run express to the ninth floor, and then local to tho seventeenth; seven more, express to the seventeenth, and thence local to tho twenty-fifth. The remaining elevator is a special one for the seven topmost stories, running from the twenty-fifth to the thirty-second. The cars of each group ascend and descend in regular
order, under the direction of a starter;' and it is claimed that the system <m handle passengers as fast as they <s» crowd to or from the street. In other words, if any general alarm should semi all the oeeupants of tho building rushetrg for safety, the elevators could bring them down in successive loads so rapidly that before the passengers of one car could reach the sidewalk, thosn of the uext car would be treading on their heels in the doorway. Then there is the very important question of protection from fire. With flames rising from below, a large office population, many stories above ground, would, of course, be in a position of extreme peril. The experiences of Baltimore and San Francisco shows that the ordinary “fireproof" building, with wooden floors and trimmings, will burn quickly in a general conflagration. Accordingly, no wood or combustible material enters into the construction of the modern skyscraper. The door frames and window frames are of pressed steel, the floors of steel beams, tiles, an*
cement. Where wood seems to appeal it will be found to be metal painted and stained to imitate wood. For all that alarmists have said, bhe tall office buildings of New York would defy almost any sort of a conflagration. It is true that fire-engines cannot lift water high enough to reach the topmost floors, but on each story the structure has its own hydrants and hose lines, supplied from great tanks. The effect of high winds is Another factor that must be taken into account, especially in structures of the towsar type, whose extreme height not only exposes them to great wind pressure, but makes vibration more dangerous. The architect must, therefore, so brace his steel frame as to keep it rigid, even against the most violent gales. The danger of an earthquake is akia to that of a hurricane; and here again,
from such evidence as is obtainable, the Steel-ribbed skyscraper is safer than its •mailer neighbours of wood, brick, or stone. In >San Francisco, after the earthquake of April 18, 1906, tall modern oilice buildings stood intact while briek cottages and wooden laundry shops were shattered. The inference is that safety is a question of scientific construction rather than height. Au interesting feature of the building of a skyscraper is the work below the level of the ground. In order to support the enormous w’eight of the steel frame, the foundations must be carried down to bedrock. In the Wall-street district of New York, the rock usually lies from 70ft to 80ft below the street. The mechanical problem is to sink a •olid mass of concrete to this depth—-
quickly, economically, and without endangering the surrounding buildings. This is done by means of caissons. At first the caisson is simply a great box or frame—perhaps 30ft long by Bft wide and Bft high—which, is laid on the ground, open at the top and the bottom. Labourers —known as “sandhogs”—dig out the soil within the frame, and gradually sink it downward. When its top is level with the surface, another is fastened above it. As it descends farther and farther into the moist earth, it becomes necessary to roof the caisson and to pump in compressed air, in order to keep it from filling with water. Locks with double traps carry air to the work chamber and bring back the excavated soil, much as blood is pumped in and out of the human heart. At the greatest depth, the work involves much discomfort and some peril, though most of tihe accidents that occur are due to carelessness on the part of the “sandhogs”—chiefly to their rashness in coming too quickly from the condensed air
of the caisson to the outer atmosphere. The result is the agonising and often fatal seizure commonly called “the bends.” Similar shafts are sunk successively around the eellar walls and in the centre of the plot, so as to form a solid concrete base, resting on bed-rock, and supporting the feet of the steel frame. No stronger foundation eould well be devised, and the method is one that involves little risk to neighbouring buildings. In conclusion, it is pertinent to inquire what will be the end of this process of raising huge towers into the air? Before the invention of the steel frame, it was impracticable to go much higher than eight stories. For a taller building it would have been necessary to make the walls so thick that the rooms on the lower floors would have been mere niches in a mass of masonry. The coming of the steel frame effected an architectural revolution by taking the weight of the building off the walls, and re-
ducing them to the function of mere screens against the weather. At once buildings rose until it became difficult to handle the traffic passing to and from the upper floors. Even with the swift modern mechanisms, it was thought for some time that not more than 30 stories could be adequately served without giving up too much of the rentable space to elevator-shafts. Recent improvements, as has been seen, have made it possible to go more than half as far again above the ground. With the general increase in the height of buildings, however, other serious problems are looming up—the darkening and overcrowding of the streets, the corgestion of all systems of urban transportation, and the possibility of terrific destruction by some
great catastrophe.. These help to make the question of a limit to the growth of the skyscraper a most momentous as well as a very difficult one. “There is nothing in the engineering problem,” said a well-known writer in 1899, “to prevent the construction of a 50-storey building, but such a sight will probably never vex the eye of man.” To-day, less than nine years later, structures of practically (that height axe being advertised for rental. Whether, in the coming years, these are in their turn to be overtopped by skyscrapers, of GO. 70, and even a hundred floors, it is safer not to prophesy. Only the future can show.
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Bibliographic details
New Zealand Graphic, Volume XLIII, Issue 20, 17 November 1909, Page 43
Word Count
2,222The Coming of the Fifty-Story Building. New Zealand Graphic, Volume XLIII, Issue 20, 17 November 1909, Page 43
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Acknowledgements
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