FURTHER ROLES

Wanganui Chronicle, Volume 77, Issue 153, 30 June 1934, Page 14

FURTHER ROLES

COLIN TAPLEY’S SUCCESS. GOOD WORK AT STUDIOS. Colin Tapley, one of the two New Zealand representatives in I’aramount s “The Search for Beauty,” has appeared in minor rules in “Come on Marines” and “Murder at the Vanities,” and he has now received recognotion in the official cast list for the Paramount picture, “Double Dour.” The honour thus conferred on the young actor is a result of Ins good work at the studios. It is ail the more meritorious when it is realised tnat few actors or actresses feature in the official cast of the picture until tney have had some years of experience. Tapley has also been awarded minor roles in “The Scarlet Empress,” Maricne Dietrich’s new picture, and “You’re Telling Me,” a W. C. Fields comedy. In the latter production, in addition to Colin Tapley, the other five contract winners selected from

“The Search for Beauty,” are also in the cast. Those assigned are Eldred Tid bury of South Africa, Gwenllian Gill, Scotland, Alfred Delcambre and Clara Lou Sheridan. Dallas, and Julian Maddison, Minneapolis. George White’s “Scandals” was produced by Fox Film because White stands alone as America's foremost musical producer. George White’s “Scandals.•• For the first time in motion picture entertainment the swift moving, fast paced sketches that start like smiles and end with laughs. They're the high points of George White's “Scandals” on Broadway . . . because of their fast, spicy humour, and now you’ll sec the kind of fun that’s lifted Broadway out of the blues for 15 years.

“Nana.” Anna Sten has two loves —travel and her work. During th e year and a half hi which the blunde actress from Soviet Russia was prepared for her American film debut in the Samuel Goldwyn production “Nana,” Anna didn’t work, and she certainly didn’t travel. “It made me unhappy,” said Anna in her throaty, measured tones. “It is a year out of my life tnat I .•'hall have to make up. But once production on “Nana” got under way, the bewitching Russian beauty couid no longer complain about not getting her share of work. Her Itttte black coupe rolled in through the studio gate at half past seven every morning, and it was always eight o 'clock before she was ready to head the coupe back toward her beach-house at night. However, Anna never worried about late dining, since she continues in Hollywood the Russian custom or eating the principal meal at mid-day. “Nana.” based on episodes In the life of Emile Zola’s notorious courtesy was adapted for the scrc/n by Wills® Mack and Harry Wagstaff Grlbbie.M wqs directed by Dorothy Arzner release through United Artists.