DETECTION OF FAKES

Wanganui Chronicle, Volume 76, Issue 105, 6 May 1933, Page 12

DETECTION OF FAKES

“ANTIQUE” FURNITURE EXPERT’S MARVELLOUS TOUCH. FORTY-FIVE YEARS' EXPERIENCE

Thousands of fakes have passed through the hands of Mr. Ernest Hawking curator of the Geii’rye Museum of Old Furniture in Kingsland Road, London, and been discarded, yet ho seldom looks at them. He says ne is able to tell by a touch with the tips of his lingers, says a London writer, whether a valuable-looking antique is as genuine as people would have him believe, or whether it is a piece copied from the original and pressed on to an inexpert collector. Mr. Hawking states that hands are even more valuable to the expert in antique than eyes. He says that this sensitiveness has to be acquired before the age of 21 or it may never be ovtained at all. He added: “1 acquired the touch when I was between the ages of 15 and 22. I was trained to it by experts. The touch cannot come without that training, and the handling of old and new pieces. It is a very curious sensation. The touch comes to yoi and suddenly you find that where one day you cannot tell the difference between the old and the new, the next you cannot fail to judge correctly. “Ago gives furniture a peculiar feel and 1 trust that feel more than anything else in ascertaining the age of an article. It is a matter of linger tips generally, but the first part of the palm of the hand plays a very important part -with some things. “1 have been handling antiques for 45 years, and it is my firm belief that the expert sense of touch, sometimes called a sixth, sense, is not peculiar to the blind as many imagine. Trained lingers are more useful for very many purposes than the eyes. It is possible to slip the fingers under a piece of furniture without people knowing that you are judging the age, and when it is impossible to get near enough for an examination by the eyes. “J was once called to a beautiful house in the country where the owner showed me a marvellous-looking table which was supposedly Tudor. He did not tell me that it was an antique and I put my hand on it out of interest. I found at once that it was a clever copy, although my eyes were two feet away. The owner noticed me touching it and said, ‘That is a genuine Tudor piece.’ He had paid a good deal of money for it and beloved it genuine.

“The ‘faking’ of furniture is done rather openly in these days, for the manufacturers make the stuff in perfectly good faith and sell it as a copy. Afterwards it may get into unscrupulous hands and be sold at a big figure as genuine. Every week new pieces are brought to the museum here, for our collection is on loan and changes every week. I have had to reject piece after piece, because I knew at a touch that thev were not genuine.

“I have always loved antique furniture and it has been my weakness whenever I have had any money. I have bought many pieces myself and from time to time have had to part with them. That is part of the interest, however, for the chief joy is in. collecting the pieces initially, not so much in owning them.”