“SALLY BISHOP.”

Star (Christchurch), Volume LXIV, Issue 852, 28 August 1933, Page 3

“SALLY BISHOP.”

E. Temple Thurston Story at Civic. Joan Barry and Harold Huth provide entertainment at the Civic Theatre this week with •Sally Bishop.'’ the dramatic screen version of E. Temple Thurston’s novel. This is certainly one of the most pretentious films ever made at the Twickenham Studios, London. Several interesting and highly debatable questions are raised in this story of a modern young woman who has to choose between an insatiable affection for a man of independent means and free-and-easy habits, and the humdrum life of a stenographer with nothing but hard work and little pleasure to recommend it. Sally Bishop was not ambitious, nor did the glamour of wealth attract her, and the intrigue in which she becomes involved through her indecision leads to dramatic situations. British and Dominion Films deserve credit for the fine way in which they have made use of the famous novel and also for the tactful handling of a delicate theme. The dramatic aspects of the story will appeal to everybody, and as an indication of what English critics think of “Sally Bishop” it has frequently been stated by them that it is the best-acted talking play yet seen on the screen. The director was Herbert Wilcox, but admittedly the cast which he had under his control assured the picture of a large measure of success. The title role is taken by Joan Earrv, one the most attractive of the younger English actresses. Her clever treatment of a trying role is sincere and sympathetic. Harold Huth, as the leading man, invests his unpleasant part with polish and assurance. Kav Hammond is excellent as Sally’s friend and introduces cheerful dry humour into the film. Benita Hume, Isobel Jeans, Anthony Bushell and Emlyn Williams complete a fine cast. The settings of “Sally Bishop” avoid “stagey* effect” and, combined with good photography, complete a fine example of British film-craft. The supporting programme is excellent.