MAJESTIC

Sun (Auckland), Volume IV, Issue 985, 30 May 1930, Page 17

MAJESTIC

“THE GREAT GABBO” “The Great Gabbo," a wonderful picture, comes to the Majestic Theatre today. It is not a back-stage picture in the ordinarily'- accepted sense. It is a novel and amazing story of a ventriloquist who can think of nothing else but himself. His supreme egotism amounts almost to madness. He believes he is the greatest artist that ever trod the boards. There can be no show without the “Great Gabbo.’ This egotism leads to dramatic consequences. There you have the essence of the picture. Erich von Stroheim, an actor without peer on the silent screen, emerges triumphantly in his first all-talking role. His characterisation of Gabbo is a masterpiece of dramatic acting, and must remain one of the classic performances of stage or screen. Betty Compson reveals dramatic ability, coupled with a beautiful singing voice. Donald Douglas is another fine singer. Perhaps the most appealing character of all is the wooden dummy, "Little Otto." through which the better side of Gabbo’s nature manifests itself. The scenes in which he carries on a conversation with the doll are almost uncanny. In addition to all this, “The Great Gabbo” contains some of the most beautiful stage sequences ever presented on the talking screen. Huge choruses, massive settings, catchy song numbers and beautiful colour photography bewilder the eve and charm the ear. “The Web of Love" setting is particularly-’ magnificent, and is climaxed by a fine adagio dance. Outstanding song numbers are “I’m in Love With You" and “The Web of Love." Other fine numbers are "Icki," "The New Step,” "I'm Laughing" and “Every Now and Then." The Majestic’s new programme will also include full supports.