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King George Theatre

HOLD .YOUR MAN. The story of "Hold You- Man" whisk appears at Prince Edward Theatre on 22nd Sept., is as follows: —Jack and Mary Hopkin quarrel over Mary's desire- to go to Paris to study art. Jack takes his father-in-law'® advice that the way to get along with, wives is to "yes" them, and then the woman won't do what they say they want to do. Jack shows an interest in Bhea, an old flaane, and tells Mary to go to Paris. Mary doesn't want "to go to Paris by now, tout her pride is up, and*" * she goes. In Paris Mary paints the picture of Beno, a supposed apache, and is enthralled by his. flowery love:anaking. He confesses that he is reailly a count, but a gendarme, seeking him, declares lie-is a petty thief who preys on women by pretending to be a member *f "the nobility. Mary, wiho has coatoealed Bcno from the law, novr eeor»faily drives hini out. Meanwhile Jack has tabled Mary ivayMjg- tie understands she is planning to get a Paris divorce. He says tihat he and Rhea are coming to Paris, to bo sawnied as soon" as the divorce is gaaated. Mary wants Jack back. She lays a careful plan of campaign, inviting Sum and Rhea to dinner at her hone when they arrive in Paris. A heavy xain keeps them there. Hhea is thoroughly discredited before the evening is over and. Jack falls in love witk his wife again, ROOKERY NOOK. *'Rookery Nook" will be screened at King 'George Theatre on 24th and 231 V and at Prince BdivmwaTopx 23rd. A$ a.merry, mischievous mix uip, no talking 'picture has yet been exhioited thafc isaai" anyway near equal British DaMuiions' talkerisation of the fiamon» Ben 'Travers' stage farce, *'Rookery Nook." Tfce story of '"Rookery Nook" is wmresa. around Ralph Lynn's chivalry | ia feaxbauring and caring for a young gijJ, a very, very beautiful one, who staftya from her home in pyjamas! Lynn see no harm at all in introducing the little girl "to his sophisticated- cousin, CBW (played by Tom Wallss) but begina to get nervous when his sister-in-law, who insists on "caring" for him j i(tr»on if she has to do it by force) ani^aauces that his wife will be paying a visit to "Rookery Nook" to see how ho ia getting along with his 'rest cure. Tho main trouble is to know where to hide tihe cute little "rest cure" and ■still roifcain liis Avgn'rty ... and his -wife. GIRL; SAYS NO. ;" William Haines is said to .ihavefcrtind a worthy su'ecessor to the picture, "Aliaa Jimmy Valentine," which first baroagH.t him into the talkies. 13ie story depicts Haines as a young B&n who loses his father and faces' the •world for himself and family-—and the igfrl who won't love hiirii A comedy drama with far more laughs tihaln tears. TSuy neiw Metro-Goldiwyn-Mayer alltalking production will be shoiwn at tho King George Theatre starting, on Kciday. The. supporting" l cast includes Leila H|r«ms, Marie Drespler,;;Polly Moran, ISBaißicis X. Bushimari>Jr./'Clara Blan.<£ dK^,' r" WiHiain Jaamey,' Junior Cogian, rftrjrllis Crane and William V. Mong. "SPIJNTBBS.'* The great all talking war-time; sa- <&*&, '[ Splinters" which will be shortrn at the King George Theatre on 26*t(h to 28th inst is not only a talking pie(.tiure triumpli, but it is a tribute to fesxeuan*'na%.re. ' : :: -> -: "Splinters" is the picturisation of tke famous confeert pkrty' whicSi danced aod^^fianigfife way through 'our' late unpiea&sriitnesS' with another ' nation. ■

While the horrors of war have been used fora basis in hundreds of recent stories, "Splinters" "looks for the silver lining," find it, and extols the triumph, of minth over man's inhumanity (to man-

While' patting ourselves on the back ifioT being the fine creatures widen we are, we miist not forget to admire the diligence of those who founded the ' 'Bra Sat Theatre in defiance of the £act that "the war was on outside."

WHAT IS THE LOVE OmEUS?

Yobtli of all ages of civilisation have suffered'from'-the complaint known by

the common term of love. It is not new or original, and all kinds of men are apt to be affected. But to find a cure for this, many of the ages produced love philtres, a,nd other concoctions designed to bring the lady or man of your affection to you. But what -has .all this to do with the picture you might a§fe? In "The Love Doctor," tho -latest Paramount picture at the King George Theatre netft Monday and Tuesday, Richard Dix as the love doctor himself, administers a love cure to one of the. ailing young" men in the picture; Dix is a doctor without practise and a confiiimed bachelor, despite the efforts of Miriam Seegar to trap him. He avows he will never fall in love, but wthen Joine Collyer comes .for a job. he gives her one, although he knows there is nothing to do, atfd he ( has no patients'to attend to. He does: riot know it, but he has fallen in love. And tJieri. comes the first^ patient, a young man in love, but wh,o is worrying:: his mother. It is Miriam &eesa\c \ whom he loves, and Dix accidentally hits upon it, and decides to cure 2rim and her. (But in doing so he falls in love himself, dßalls into a lake, -gets engaged to the wrong girl, and generally gets into trouible. "FRAMED." Bringing to the screen one. of the most ingenious and thrilling stories sinice the advent of" talking pictures, "jPraaned" all-taOiking drama, will give opening day audiences^sometMng to grow excited about at the Prince Edward Theatre on 24th September. George Archainbaud, tlte director, has taken ihis eaineraa into the very heart of tiae! underworld and gives his aijdfience tflie most intianatte contact with romance, intrigi(i€; and hatred of gangland. It is without doubt the "best ,story of its type yet seen in ipietures. Gorgeous costumes; mammotn; ' sets, shifting mobs and the destructionI 'of a bea-utiiCul 3 supper club by raiding officers of the law leave impressions that cannot be quickly forgotten.

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Permanent link to this item

https://paperspast.natlib.govt.nz/newspapers/HN19300918.2.12

Bibliographic details

Hutt News, Volume 3, Issue 17, 18 September 1930, Page 5

Word Count
1,006

King George Theatre Hutt News, Volume 3, Issue 17, 18 September 1930, Page 5

King George Theatre Hutt News, Volume 3, Issue 17, 18 September 1930, Page 5