REGENT THEATRE

Gisborne Times, Volume LXXIII, Issue 11539, 16 January 1932, Page 3

REGENT THEATRE

VIENNESE NIGHTS.

Vivienne Segal and Alexander G la .v (ill the leading roles in “Viennese Nig'jhtsj” which heads the current prow ram me at the-Regent. _ Musically “'Viennese Nights” is richly endowed. The combined genius ol such masters of musical comedy as U-sca, Hammer-stein and Sigmund Rombur.r have concentrated on the creation of a score that is pleasingly varied and possesses musical cluum of the most acceptable kind. \ iv* •eiine Segal scored a great triumph in “The Do ert Seng”'and other notable productions in which she has appeared during the past I*2 months, but it is doubtful whether she has done better than her dual portraval in “Viennese Nights.” Walter Pidyeon is a dramatic actor ol parts who fills an important ivchc in tlds production. Pride of place in the male-section of the cast, however. gees fo Alexander Gray, who hug appeared at the Regent Theatre in the past in such, delightful productions as “Sa’lv,” Spring is Mere,” and “No. No, Nanette.'- He possesses a doHgh.tDul tenor voice and an ability to combine with it a vigorously lifelike portrayal ot a wide variety of roles. He• plays the part of Otto, the composer whose t goniu? was recognised only in a posthumous manner, and also plays the grandson of the long dead Otto. Jean Hersholt’s reputation as a character., actor of ability is too well known to require mention. lie gives the dramatic turn to the opening stages of “Viennese Nights” which is necessary to preserve the perfect balance of the entertainment. The comedy section of the production is provided by Bert Roach amD the ..inimitable Louise Fazenda. There is an excellent programme of short subjects. The box plans are at Chrisp s.