QUEEN'S' THEATRE.
Wallace Beery and Raymond Hatton. tlio Inimitable mirthmakers, will appear in their new picture, "Now We're in the Air," at the Queen's Theatre (o-nlglit. They-, become aviators by accident.' First they wander into a propeller testing-room, where six propellers are roaring at once, and they have their Scotch Highlander costumes blown off them. Someone tosses them a pair of flying suits and they aro off. Mistaken identity dominates the theme. It does not end with tho comedians being mistaken for Biers, . hut Louiso Brooks, the charming and beautiful- leading _ wo-man-figures in the mistakes.' She plays twin sister.^ Tlio story has a refreshing resemblance to an actual plot, something that is not often found in comedies, The supporting attraction, "Slaves of Beauty," is a colourful and fascinating ■ comedy-drama of a woman .who thought she was 100 young for her husband— with Oliver Tell, Richard Walling, Karle I'oxo, and oilier screen favourites. Pathos, laughter, romance, and suspense enacted among the humble homes of the poor and tho lavish beauty salons of the slaves of beauty. The Queen's Quality Quartet is to bo heard in a special score of Incidental music.' The box plans (Ire now open at the Bristol rhino Company.
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Bibliographic details
Evening Post, Volume CV, Issue 122, 25 May 1928, Page 5
Word Count
201QUEEN'S' THEATRE. Evening Post, Volume CV, Issue 122, 25 May 1928, Page 5
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